Archive for September 2009

Eddie Lin”™s Extreme Cuisine – the Intense Review

beef penis -- GAG! photo by Eddie Lin

Many of you avid foodblogging fans will already be familiar with Eddie Lin”™s Deep End Dining, a fascinating website where nothing is too freaky or disgusting-sounding for his brave palate to sample and his blown mind to appraise.

Ever the intrepid ingester, Eddie has just brought out his own book, in conjunction with the Lonely Planet travel guides.

Extreme Cuisine is a pocket-sized, nifty little book that will tell you everything you need to know about some of the most bizarre foods to be found on this earth. The most staggering part? People really eat this stuff.

So, you think you know a thing or two about weird cuisine? Yeah, I also saw that Simpson”™s episode when Homer thought he was going to die from eating Japanese Fugu (aka puffer) fish. I knew that some cultures consider Corn Smut and Grasshoppers a delicacy (Mexico) or adore boiled sheep stomach stuffed with offal (aka the Scottish national meal of Haggis). But actually cooking and eating Bull”™s Pizzle (aka penis)?! Whoa, there.  [^ photo above]

In Extreme Cuisine, each compact chapter has a large photo on one page of the questionable substance, in full technicolour, and some background information on the opposite page. This neat little book is nicely laid out with all the foods listed in alphabetical order, followed by the country of origin. There”™s even a link or an address telling you where to find each freaky food item. Lin”™s flair for comedic writing and clever puns makes Extreme Cuisine a genuinely fun read, though sometimes you might not know whether to belly laugh or barf.

Certain foods don”™t seem all that extreme to me. The Australian entries, for the most part, are fairly benign. Marmite and Vegemite?  I grew up on the salty black stuff and still love spreading it on my buttered toast and eating it for breakfast. Pie Floaters? What”™s so crazy about a soggy meat pie swimming in some green pea soup? Take it from me, kangaroo is a tough meat that doesn”™t taste any better after you”™ve hunted it down, shot, skinned and minced it. Then there are those plump, chubby Wichetty grubs, considered “˜good tucker”™ by Australian Aborigines. Okay, I can”™t say I”™ve ever seen one of those maggoty grubs, so I”™m not sure if I”™d ever give one a try.

But all those other weird and wonderful extreme foodstuffs? The good news is that Bull”™s Pizzle is available right here in the Valley, at the Ranch 99 Asian supermarket on Sepulveda, Blvd., just north of Victory. That”™s right – those wacky Chinese consider the giant penis of a bull, when thinly sliced and cooked in broth, a delicious aphrodisiac.

Most of the products mentioned in this book are things I have never tried and hope I never do. I tend to steer clear of any rotten foods, such as the fermented soybeans known as Natto in Japan or fermented herring from Sweden. But roasted guineapig (aka cuy) from Peru? Scorpions from Thailand?  Fish sperm from Japan? Deep-fried Tarantula from Cambodia? Are you kidding me?!

Durian is a local delicacy of Southeast Asia that I once sampled in Singapore. Once. I didn”™t eat the fresh fruit, but rather a puree of it prepared at a restaurant that specialised in Perananken fare, which is the cuisine of the indigenous people of Malaysia.

The flesh of a massive, spine-covered fruit, Durian is famous for it”™s strong aroma that many describe as a mix between pig dung and carrion (aka rotting corpses).

As Lin so eloquently describes, “It”™s a mosh pit of flavours that include garlic, onions, caramel, stale cheese and strawberry, all eaten while in a porta-potty.”

Wow.

I will never forget how the utterly rank smell of that pungent fruit shot back up my nasal passages as I gulped down a tiny bit of the puree. Not tasty, off-putting and decidedly unpleasant. Although this strong-smelling fruit is banned in hotels and on public transport, many people seem to enjoy eating it.

1000-Year-Old-Egg (China) rivals Duck Foetus (aka Balut, from the Philippines) as the nastiest delicacy out there. First off, the egg is this gooey, oozing blackish green colour.  Does that sound appetising? The ancient egg apparently gives off the aroma of sulphur and has a slimy texture. Keep talking. Balut is exactly what it sounds like; an unborn duck embryo that you eat straight out of its shell after it”™s been boiled. This foul-sounding item is also available here in LA, at the Filipino chain of restaurants, Seafood City, one of which can be found in North Hills.

With its list of over sixty different and unusual foods, Extreme Cuisine is bound to challenge your ideas of what makes good eating. At the very least, Eddie Lin”™s hilarious and informative book makes for great reading.

Available for pre-purchase at Amazon.

Pauline Adamek is a Sydney-born, Los Angeles-based Critic & Writer.

Scarecrow — an unsettling drama

A lonely, oppressed farm girl, on the cusp on womanhood, develops a strange fascination in the cornfields in Don Nigro”™s Scarecrow, a dark and twisted drama now playing at the Avery Schreiber Theatre in NoHo.scarecrow350

Cally (Linda Tomassone) dwells in an isolated farmhouse with her mother Rose (Deborah Lemen), a troubled shut-in who cowers in fear of the outside world. Meanwhile, Cally watches her days tick slowly away on the multiple clocks in their home, yearning for a life away from this claustrophobic place. The girl is both spooked and fascinated by the old scarecrow in the nearby cornfield. Sneaking out to wander among the tall corn plants, Cally meets frequently with a mysterious stranger (Ian Jerrell) who embodies all her mother”™s deepest sexual anxieties. But who or what is this Scarecrow figure?

Linda Tomassone has been haunted for years by this ominous and disturbing play, ever since she first read it in college. For this entrepreneurial thespian, Don Nigro”™s spooky play has become an obsession. Tomassone recently formed her own theatre and film company, Ice2Sand Productions, in order to produce and star in this three-handed drama.

Her director, Antony Berrios, has done a good job of staging Nigro”™s play. An earthy smell greets you as you take your seat, thanks to the six-foot tall corn plants and hay bales off to one side of the stage. Opposite this cornfield, the farmhouse set is basic and sparsely furnished with a rocking chair, a wooden chair and a table. Notably there are no fewer than six clocks ticking away on the walls, each displaying a different time. An empty crucifix is also prominently placed among the many clocks. Upstage hangs a scrim, onto which black and white images of cornfields, scarecrows and farmhouses are projected throughout the show, even a brief video sequence of the girl being swallowed up by the corn. The occasional sound of crickets chirping and crows cawing adds to the eerie ambience.

Rose, Cally”™s eccentric Mom, refuses some cereal her daughter tries to insist she eat, and says she is “creeped out by crunchy foods,” claiming it”™s like having “cockroaches in my mouth.”Â  When Cally urges her sickly Mom to take better care of herself, the unspoken implication is so that she doesn”™t have to. The pair constantly bicker with each other, trading sarcastic comments, while clingy Mom shoots down all her daughter”™s dreams of a future exploring the wide world.

When we see the handsome young man in the cornfield that Cally secretly meets, we, too, almost fall under his charming spell. This sweet-talking fellow urges Cally to take back her life and her inheritance from her mother and run away with him. These words caress the ears of this impressionable girl, like rain on a parched field. But it turns out that crazy Mom knows a lot more than Cally can ever imagine about the stranger in the cornfield.

At times I felt that the way Don Nigro”™s play jumps back and forth from heartfelt monologues to dialogue could have been handled with a little more finesse. His occasional stabs at poetry seemed overreaching, as well. As the insidious suggestions planted by the smoothly manipulative man increase in intensity, “Scarecrow” starts to feel like one of those plays where everyone is trapped in a cycle and it”™s going to take something drastic, like a murder, for change to happen.  Thankfully, what does happen is a little less predictable than I imagined.

With a tight running time of just over an hour, “Scarecrow” is an interesting if imperfect play. Everyone gives fine performances, especially Ian Jerrell as the appealing young man that represents Cally”™s hopes for freedom.

Now playing at the Avery Schreiber Theatre

11050 Magnolia Boulevard

North Hollywood, CA 91601

Runs until October 17th, 2009

Fridays and Saturdays at 8 p.m.

***Wine & Cheese “Meet and greet” with the artists after each show***

Tickets: $20; Seniors and Students $15

Box Office and further information, please call: (818) 766-9100

Pauline Adamek is a Sydney-born, Los Angeles-based Critic & Writer.

first posted on MyDailyFind.com

Divine treats at Gelato Bar & Espresso Caffe, Studio City

photo by Pauline Adamek

Tujunga Avenue in Studio City (just south of Moorpark) is rapidly becoming LA”™s very own Little Italy (at last!), what with Caioti Pizza (the original Cali-style pizza) and old-skool red-sauce Italian joints like Vitellos. Village Gourmet has an array of wonderful imported goodies too.

Hopefully you”™ve already discovered a cozy little breakfast and dessert place called Gelato Bar & Espresso Caffe, from the creative brain of Gail Silverton, sister to Osteria Mozza and creator of La Brea Bakery”™s Nancy Silverton. Featuring some of the best espresso in LA, they serve locally roasted, Italian-style Ecco coffee. You can have a cappuccino or latte plus a muffin or pastry from sis”™s bakery here in the morning, then return in the afternoon or evening to sample their superb gelati, hand made by an Italian guy named Alessandro, whose family has reportedly been in the gelati business for the past century.

Italy has a long tradition of ice creams and frozen ices. “˜Gelati”™ simply means “˜frozen stuff.”™Â  Apparently Catherine de Medici, of Florence, introduced this novelty to the French and then the luscious fad took off in Europe.

photo from their website

Here at Gelato Bar, they”™ve gone to great lengths to achieve a friendly, neighborhood trattoria vibe, with its gaily painted striped walls, funky light fixtures and indoor plants on terra cotta tiled floors.

With twenty four flavors on display at any one time, they actually rotate twenty five of some of the creamiest and tangy tastes you could ask for. Coco (coconut) is so pungent, it makes you feel light-headed, just like when Keith Richards fell out of a coconut tree.  Tiramisu competes with Zabaglione for creamy sweetness. Their Caffe e Ciccolato (chocolate and coffee mixture) is sinfully dark and rich. The Stracciatella is vanilla laced with chocolate chips and they have a few chocolate ones with nuts, such as hazlenut (Nocciola). They have a sherbetty Aranciata Rosso (blood orange) flavor which is delectable and various other fruit flavors such as Ananas (pineapple), Fragiola (strawberry) Banana and, of course, Limone (lemon). Mango is delicious too (if only they had Passionfruit *sigh*).

I was seduced by their Dulce de Leche (caramel) in a sugar cone ($4.50).  Pricey but delicious, I”™m going back for a pound (a pint) of four flavors in a styrofoam container — $16. That might work out cheaper than the little plastic cups and cones ($3.50 and up), but my waistline may hate me in a few week”™s time.

Actually, they say gelati is less fattening than ice-cream, seeing as it is made with water or milk (but loads of sugar, naturally) rather than cream or buttermilk. So there is 50-60% less butterfat and a third fewer calories. Also gelati generally has 35% less air than ice cream, which means you get a dense and extremely flavorful product that melts faster.

If you don’t see Pistacchio (pistachio) at Gelato Bar (their most popular flavor) it”™s probably out the back waiting for a free spot in the case.

So creamy, so divine – so damn close to where I live…

Gelato Bar & Espresso Caffe

4342 ½ Tujunga Ave

Studio City, CA 91604

818 487 1717

Open from 8am “™till 10pm, “™till 11pm on Friday and Saturday evenings.

Be advised, parking can be tough in the evenings so take care not to park in the restricted zones.

review by Pauline Adamek

first posted on MyDailyFind.com

A Perfect Getaway — Original Score by Boris Elkis

getaway_poster_small

In the edgy thriller A Perfect Getaway, Cliff (Steve Zahn) and Cydney (Milla Jovovich) are an adventurous young couple celebrating their honeymoon by backpacking along the Kalalau trail to one of the most stunning and remote beaches on Kauai, in Hawaii. But when the pair hears about the gruesome murder of another newlywed couple elsewhere on the islands, they begin to wonder if they should cut short their trip-of-a-lifetime. Once Cliff and Cydney join up with two other young white couples (just like the killer suspects), things start to get sinister. Miles from civilization, everyone appears threatening and nobody knows who they should trust.

Composer Boris Elkis - photo by Shireen Kadivar

Russian-born composer Boris Elkis is a former collaborator of prolific film and television composer Graeme Revell. For this, his first major film composition, Elkis was granted the opportunity to create a musical score that was complex and mysterious, one that evolves, transforms and takes the viewer on an emotional journey.

While this movie is decidedly a thriller, Elkis also introduced a warm, romantic flavor to his music to highlight the intimacy of the young couples as well as the breathtaking beauty of the Na Pali coastline.

Elkis”™ moody score uses three main themes for its foundation, namely a romantic “wedding” theme, the killers theme, and the Island. As the exotic location of the Kalalau trail, with its gorgeous Hawaiian landscapes, eventually becomes a battle ground for survival, the Island was personified by its own leitmotif.

Explains Elkis, “I”™m a strong believer in the use of melodies in film scores and I think of that as the best all-around tool in a composer”™s toolbox.”

Track One of the CD is the basic A Perfect Getaway theme, incorporating the “killers” theme. This is actually the final cue that is used at the end of the movie, during the end credits crawl. Much like a reverse overture, typically here is where you”™ll hear a medley of most of the music cues that were used throughout the movie.

Track Two is, in fact, the first cue of the movie and appears to have been a tough one to compose. Heard over the main titles and images, it introduces the “wedding” theme. Hence, the movie opens with somber, brooding music that is hauntingly beautiful and romantic yet holds ominous portent. But the music also has to work over the movie”™s first images of home video wedding footage of celebration, festivities and general drunkenness. Thus, the pretty piano and strings theme, in counterpoint to the portentous brass and string theme with minor key changes, creates a menacing mood from the start.

Then, the scene abruptly switches to the magnificent vista of the Kalalau Valley. Track Three – “The Island” – captures the uplifting, visual grandeur of this unique landscape before returning to the ominous mood of the beginning of the movie that deepens as the camera pulls away from the stunning yet treacherous Na Pali coastline.

Elkis says he considers a film”™s score to be a by-product of the story, and observed that a composer is not always afforded the opportunity to cover a lot of musical ground. While at its core this film is a romantic thriller, it also plays upon the genre expectations of the audience; thanks to the breadth of character development, “A Perfect Getaway” is not a typical formulaic slasher thriller. Hence, the challenge for Elkis was to guide the audience without giving too much away,

The resulting composition is a masterful mixture of different styles. Elkis says his intention was to keep the music evolving in order to stave off predictability. The orchestra is used as another color in a rich palette of sounds, and so sometimes it disappears when other, more ambient, elements take over. To personify the island element of the score, Elkis used native flutes and percussion.

Elkis commented that from a dramatic perspective, it is always good to be able to start and finish at the extreme opposites. A Perfect Getaway starts out on a relatively upbeat and celebratory mood. Then, as events worsen, the music reflects the transition from joy to menace to terror.

Boris Elkis”™ original composition is a modern and powerful score with a strong melodic underpinning. David Twohy”™s movie is fantastic, too!

For more information, go to Boris Elkis and
Rogue Pictures

Pauline Adamek is a Sydney-born, Los Angeles-based Critic & Writer.

It’s Just Sex! — a hilarious and raunchy romp

The sexy cast Left to right - Seth Peterson (Greg), Lisa Vidal (Lisa), Tommy HInkley (Carl), Jackie Debatin (Kelly), Rebecca Staab (Joan), Scott Klace (Phil). Photography by Raquel Krelle

Now playing on weekends at the Two Roads Theatre on Tujunga, in Studio City, is Jeff Gould”™s It”™s Just Sex! – a side-splitting and hilarious play about marriage, fidelity, lust and trust.

Three married couples get together for an evening of drinking and socializing while their kids are away at camp.  But once the liquor starts flowing and truth games are initiated, secrets become revealed, boundaries are broken and reality gets swapped for fantasy.

The play begins with a bang when one of the couple”™s wives comes home and inadvertently catches her husband in flagrante delicto (caught in the act) with a busty prostitute. While her red-faced husband Phil (Scott Klace) buckles up and hustles the hooker out the door, Joan (Rebecca Staab) focuses on sanitizing the scene of the crime and preparing for their guests to arrive.

Once the middle-aged couples arrive, they quickly split into two gender groups. As we get to know them, we see that the men are, for the most part, horny and oversexed (not so young, dumb and full of – never mind) and the women are all ferociously intelligent, super-sexy hot mamas with legs that go for miles.

The host, Phil, is a silver-haired fox and a bit of a cad who prides himself on being an expert on everyone”™s drinking preferences. His chilly wife Joan extols the virtues of yoga, crediting the exercise discipline for her toned figure.

We learn that one guy, Greg (Seth Peterson), is a bit neurotic about his erectile dysfunction – something he blames on his ball-busting lawyer wife Lisa (Lisa Vidal). Judging by the constant sniping at each other, their relationship is clearly strained. Eventually their tense one-upmanship turns rancid and vicious. Meanwhile, liberal-minded writer Carl and his wife Kelly (played respectively by Tommy Hinkley and Jackie Debatin) have their own issues.

The truth or drinking game initiated by Joan only serves to accelerate their collective drunken lurch towards debauchery. When a proposal to do a bit of wife-swapping is floated, the pop of a tequila bottle”™s cork punctures the awkward silence to hilarious effect.

Producer/Director Rick Shaw does a fantastic job staging this thought-provoking comedy. The intimate set is simple and versatile, also serving extremely well for a clever shadow-play sequence paired with some funky lighting effects. Even with six people present almost all the time, the tiny stage never feels crowded thanks to some expert blocking. Shaw elicits fearless performances from his fantastic and talented cast.

There are plenty of big belly laughs in the first two-thirds of Gould”™s play, before it threatens to turn into a serious, full-blown therapy session. Nevertheless, “It”™s Just Sex!” is a rollicking night of entertaining theatre that touches on some important issues.

As It”™s Just Sex! contains suggestive sexual behavior, adult language and themes, no one under 18 will be admitted.

Plays every Friday and Saturday at 8PM, Sundays at 7:30PM until through November 8th.

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photo from their website

Two Roads Theatre

4348 Tujunga Ave., Studio City, CA 91604

TICKETS:  $25 Fridays and Sundays, $30 Saturdays at the door.

Box Office: (818) 762-2282

Discounts available on-line goldstar.com,  theatermania.com and nohoartsdistrict.com

For more information please visit www.nohoartsdistrict.com and click on the Two Roads Theatre page.  Or join “its just sex” on Facebook and Myspace

Pauline Adamek is a Sydney-born, Los Angeles-based Critic & Writer.

first posted on MyDailyFind.com