Archive for February 2010

Symposium on Boyle Heights

The Honorable Junichi Ihara, the Japanese Consul General

Marking a brand new endeavor for 2010, this year sees the Consulates General of Japan, Israel and Mexico as joint co-sponsors of a series of cultural and multi-cultural activities. This trilateral project specifically features the colorful and historic Los Angeles district of Boyle Heights, where Jewish, Hispanic and Japanese communities lived together in a peaceful and amicable manner in the early to mid-20th century.

The aim of this ambitious joint project is not simply to cherish the fond memories of old days, but to further strengthen ties among the Jewish, Hispanic and Japanese communities for the future.

As a kick-off event, on February 18, 2010, the Japanese Consulate hosted a fascinating symposium on Boyle Heights. The Honorable Junichi Ihara, the Japanese Consul General in Los Angeles, was the esteemed host of the event and is responsible for launching the idea for the initiative. Said Mr. Ihara, “I was fascinated by its history as the first multi-racial coalition to make a difference in Los Angeles.”

Forthcoming cultural and multi-cultural activities will include film screenings and outdoor programs.

During the symposium, each of the Consul Generals spoke briefly, beginning with The Honorable Junichi Ihara, Consul General of Japan, followed by The Honorable Jacob Dayan, the Consul General of Israel, who stated, “We want to revive this experience of togetherness, because this is a city of immigrants, and that is the power and strength of Los Angeles.” Also present to give welcoming remarks was The Honorable Juan Marcos Gutierrez Gonzalez, Consul General of Mexico.

According to George J. Sanchez, a USC professor of American studies and ethnicity and history, the Boyle Heights neighborhood began as a ranching community and grew into an urban pocket during the late 1800s, when bridges were constructed over the Los Angeles River to allow railway cars to carry workers from city jobs to Boyle Heights residences. The area was named after Andrew Boyle, an Irish immigrant.

During the 1940s, the district of Boyle Heights was considered one of the largest and earliest examples of multicultural harmony in Los Angeles. Because racist housing covenants kept certain cultures from creating communities in other areas, the three ethnic groups thrived and co-existed in Boyle Heights during the first half of the 20th century. Since the Second World War, however, the cultural diversity has dissipated. Today Boyle Heights residents are predominantly Latino, being mostly of Mexican heritage.

Guest speakers at the symposium included Mrs. Harriet Rochlin, who was editor of the Roosevelt High School newspaper in 1941 and recalled her dismay and vivid memories of the internment of many of her Japanese school friends in the temporary holdings at the Santa Anita racetracks. Writer Ms. Josefina Lopez spoke of arriving in Boyle Heights from Mexico as a girl in 1975, by which time the neighborhood has become predominantly Latino. Lopez said she was lured back to the neighborhood in 2000. As founder and artistic director for the Casa 0101 Theater, Lopez says she intends to create a play to celebrate the neighborhood”™s ethnic origins.

Indeed, the symposium was successful in exploring the joint history of the three cultures. Following the fascinating symposium and discussion, the Japanese Food Culture Association then hosted a splendid reception featuring a wide assortment of exotic and imported Japanese foods, unique cuisine and sake at the Japanese American National Museum in Little Tokyo.

guests enjoy sushi

Guests enjoyed delicious sakes of all varieties as well as various Japanese foods, including an unusual dish – Japanese fish cake stew – called “oden”. A highlight of the evening was a stunning demonstration where a Sushi Master chef, along with his capable sous-chef, dispatched an imported yellowtail with lightning-fast skills, reducing the large, whole fish to bite-sized portions of delectable sushi within a matter of minutes. It was a spectacular demonstration of dexterity and ancient expertise.

Sushi Master Chef completes his demonstration

The symposium-reception was deemed a successful and enjoyable evening. Forthcoming cultural and multi-cultural activities will include film screenings and outdoor programs.

For more information, you can visit the various official websites for the Consulates General of Japan, Israel and Mexico.

The Japanese American National Museum
Little Tokyo,
369 East First Street, Los Angeles, California 90012

Check the official site for the the Japanese Food Culture Association for future cultural and food events later in 2010.

Report by Pauline Adamek

Pasadena Showcase House of Design, 2010 – Cravens Estate

Pasadena Showcase Watercolor 2010Each year, roughly 40,000 visitors from throughout Southern California, and beyond, step through the front door of the Pasadena Showcase House of Design, one of largest, most successful and oldest house and garden tours in the nation.

Tickets for the Pasadena Showcase House of Design – which includes not only the house and garden tour, but also the Shops at Showcase, with more than 25 vendors, a restaurant and bar – are currently on sale.

Access to this year”™s Showcase Home will take place Tuesday through Sunday, April 18th through May 16th 2010.

This year the venue selected for restoration is The Cravens Estate, in Pasadena, a French Chateau-style home that was built in the late 1920s at a cost of $1,000,000.

The San Gabriel Pomona Valley American Red Cross acquired the Estate in the early-1960s.

Incidentally, certain rooms of this mansion are also available to rent for special events such as weddings. An elegant lobby, dining room and living room are available. French doors in the living room open onto a large patio and beautiful gardens. The site can accommodate up to 250 people.

“We expect attendance to be very high this year because this year”™s House is such a unique project,” says Beverly Marksbury, Benefit Chairman. “It”™s the historic Cravens Estate, which was designated a Pasadena Cultural Landmark by the Pasadena Heritage Society and a Landmark of Historical Significance by the city of Pasadena. So we like to say that our designers are bringing the estate back to life rather than transforming it. While each space will reflect the latest design trends and innovations, you”™ll also see how we worked diligently with architectural historians and experts to respect the property”™s past.”

(Photo by Sarah Reingewirtz)

(Photo by Sarah Reingewirtz)

Each room or space throughout the nearly 20,000 sq ft Cravens Estate will be transformed by a different designer or design team. Altogether over thirty designers will participate in this year”™s effort.

Designers taking part in the 46th Pasadena Showcase House of Design are: Michael Berman Limited and Santana Interiors (Interior Advisors); Linda Allen Designs, Inc. (Morning Room); Cynthia Bennett and Associates (Kitchen); Jennifer Bevan Interiors (Mr. Cravens”™ Dressing Room); Blakeley-Bazeley, Ltd. (Powder Room); Saxony Design Group (Drawing Room and Alcove); John Cole Interior Design, Inc. (Guest Sitting Room); Amy DeVault Interior Design (Grand Staircase and Landing); Tocco Finale (Back Hallway/Reception Area); Jeneration Interiors (Lady”™s Office and Bathroom); Henry Johnstone & Co. (Mrs. Cravens”™ Sitting Room); Julie Kays Design Incorporated (Master Bedroom); Ammie Kim Interior Design (Sewing Room/Linen Room); Padua & DK Designs (Main Entrance/Galleria/Alcoves);  Lechman-Testa & Associates (Guest Bedroom and Bathroom); Roberta Martin Interiors, LLC (Mrs. Cravens”™ Dressing Room/Bathroom); Karina Oldemans Interior Design (Mrs. Cravens”™ Sunroom); Parker West Interiors (Solarium and Organ Alcove – 1st floor); Reaume Construction and Design (Breakfast Room); Lawrence J. Rizkowsky Design (Library/Hallway and Bathroom); MK and Company Interior Design and Decoration (Dining Room); Designs of the Interior (Media Room); Setting the Stage Interior Design (Sitting Room Hallway); and DChristjan (Gentleman”™s Bathroom).

The grounds around the estate will be transformed as well, thanks to help from the following exterior designers:  Verne Arnold Landscape Designs, LLC (Exterior Advisor); Form LA Landscaping, Inc. (Strolling Garden); Canterbury Landscaping, Inc. (Formal Terrace Area with Urns); Carson-Magness Landscape (Morning Garden); and Pacific Outdoor Living (Entrance Garden and Terrace).

Those who visit the nearly 20,000 square foot estate should plan to make a day of it, Marksbury adds. The Pasadena Showcase House of Design includes The Shops at Showcase – with linens, clothing, accessories, gourmet foods and housewares supplied by over 30 vendors – and The Restaurant and Bar at Showcase, staffed by Wolfgang Puck Catering.

Tickets for the 2010 Pasadena Showcase House of Design are available online, or by phone, Monday through Friday, from 7 a.m. to 5 p.m., at (714) 442-3872.

Prime time tickets for all day Saturday and Sunday and from 9 a.m. to 1:45 p.m. Tuesday through Friday, may be purchased for $35 in advance and $40 at the door.

Weekday matinee tickets (Tuesday through Friday, 2 p.m. to closing) are available for $30 in advance and $35 at the door.

***

FURTHER READING:
The project is also the Pasadena Showcase House for the Arts”™ second collaboration with another nonprofit. In 2007, PSHA worked with Descanso Gardens to revitalize the historic Boddy House. The Cravens Estate, meanwhile, has been the home of the San Gabriel Pomona Valley chapter of the American Red Cross ever since the property”™s last owner, the industrialist Simon Zervos, donated it to the Red Cross in 1962.
“Mrs. Cravens served on the Board of the American Red Cross of Pasadena as well as many other philanthropic organizations,” says Marksbury. “So we think she would wholeheartedly approve of this undertaking since PSHA shares her belief in helping others.”

Monies raised from the Pasadena Showcase House of Design fund a wide array of musical arts organizations, from world-renowned ensembles like the Los Angeles Philharmonic and Los Angeles Opera to local high school band and music therapy programs. PSHA also supports three programs of its own: the Pasadena Showcase House Music Mobile TM, an award-winning program introducing 3rd graders throughout the San Gabriel Valley to the instruments of the orchestra; The Pasadena Showcase House Youth Concert, a free performance by the LA Philharmonic for 4th grade students at Walt Disney Concert Hall; and the Instrumental Competition, where exceptionally talented musicians, aged 16 to 24, compete for over $30,000 in monetary prizes to further their music education.
“To date, we”™ve donated over $17 million to the arts,” says Delise Menik, President of the Pasadena Showcase House for the Arts. “And, with the support of the community this year, we hope to make that amount much, much higher and leave a lasting legacy for generations to come.”

For more information about the Pasadena Showcase House for the Arts, visit their website or call 626.578.8500. Those interested in becoming members of the PSHA committee are urged to contact the organization”™s Membership Chair via email.

Again, tickets for the 2010 Pasadena Showcase House of Design are available online, or by phone, Monday through Friday, from 7 a.m. to 5 p.m., at (714) 442-3872. Prime time tickets for all day Saturday and Sunday and from 9 a.m. to 1:45 p.m. Tuesday through Friday, may be purchased for $35 in advance and $40 at the door. Weekday matinee tickets (Tuesday through Friday, 2 p.m. to closing) are available for $30 in advance and $35 at the door.

Report by Pauline Adamek

Side-splitting screech-fest — Souvenir at the Falcon

All production photos by Chelsea Sutton

LAST week to see this delightful and side-splittingly hilarious play with musical interludes. Souvenir, Stephen Temperley”™s bio-comedy, is surprisingly entertaining. I say “˜surprisingly”™ because it tells the tale of a long forgotten New York “˜celebrity,”™ of sorts.

In a public “˜career”™ that spanned from 1912 to 1944, Florence Foster Jenkins (played beautifully by Constance Hauman) was notorious in her day for performing annual concerts to great acclaim and equal derision. You see, Jenkins was a simply appalling singer! She was an American soprano who became famous for her complete lack of rhythm, pitch, tone, and overall singing ability. And yet, somehow, Jenkins never interpreted the tears and the stifled and sometimes howling laughter that emanated from the audience as anything but adulation.

It”™s a beguiling conceit that examines the gap between the music we hear in our head and our hearts, and that same melody as heard and experienced by those around us. You only have to listen to those clueless and downright talentless hopefuls caterwauling their way through painful auditions on American Idol to know that there are plenty of deluded people out there who honestly think they can sing, and who clearly have never even bothered to listen back to their attempts, either.

In the early 20th century, socialite Florence Foster Jenkins carved out for herself a unique spot as an opera diva in New York, apparently oblivious to the pure fact that she could not carry a tune nor sing a note with true pitch.

Temperley”™s play Souvenir, as narrated by her devoted and often bewildered accompianist Cosme McMoon (Brent Schindele), posits the theory that she was besotted with the music that she heard coursing through her head and was convinced she was a beloved diva. Little did she realize she was actually an object of ridicule. She dismissed the laughter that often came from the audience during her performances as coming from her rivals consumed by “professional jealousy.”

Enamored with the fame her concerts brought her, and later her apparently substantial record sales, Jenkins enjoyed a period of notoriety and sold-out concert appearances.

All production photos by Chelsea Sutton

Hence, Jenkins became tremendously popular in this unconventional fashion. Her audiences apparently loved her for the amusement she provided rather than her musical ability. Critics apparently often described her work in a backhanded manner that may have served to pique public curiosity.

Jenkins was aware of her critics, however, saying “People may say I can”™t sing, but no one can ever say I didn”™t sing.”

Currently playing at the Falcon Theatre – but in its final week – this play is incredibly funny and shines a light on an obscure and unusual performer.

BONUS! FREE DANCE LESSONS FROM ARTHUR MURRAY DANCE STUDIOS!

Prior to the Thursday performance of February 25, join us in the Falcon lobby at 7pm for a FREE DANCE LESSON!
Learn some of the dance moves from the ’30s and ’40s when Florence Foster Jenkins was making her mark on the music scene.
No need to make a reservation – just put on your dancing shoes and head on down to the Falcon!
But if you want to see Souvenir after the lesson, be sure to call the box office at 818-955-8101 to get your tickets today!
Dance lessons are generously provided by
Arthur Murray Sherman Oaks
4633 Van Nuys Blvd.
818-783-2623

PLUS – receive a special discount on dance lessons from Arthur Murray Sherman Oaks when call the number above and mention the Falcon!

THE FALCON THEATRE
is located at 4252 Riverside Drive, in Burbank.
Box office and bookings - (818) 955 8101

Runs: until Sunday, February 28, 2010 (4pm show)
PERFORMANCES: Wed.-Sat. at 8pm, Sundays at 4pm

TICKET PRICES:
$32.50 – $35.00

All production photos by Chelsea Sutton.

review by Pauline Adamek

Fantasia 2000 plus Destino – El Capitan

photos: © Disney

Hollywood”™s El Capitan Theatre celebrates the 10th anniversary of Walt Disney Pictures”™ “Fantasia 2000″ with a special limited engagement of the film from February 17 to 27.

*** Tomorrow only — special offer for ArtsBeatLA readers — see end of report ***

There are only 11 days to catch this rarely screened animated classic! “¨Accompanying “Fantasia 2000″ will be the short animated subject “Destino,” a collaboration between Walt Disney and Salvador Dali, which was begun in 1945, and finally realized in 2004.

“Fantasia 2000″ enabled Roy Disney to further Walt Disney”™s dream of “Fantasia” as a continuing project of The Walt Disney Company and to showcase a new generation of Disney animators.

The music for “Fantasia 2000″ was conducted by James Levine, and performed by the Chicago Symphony Orchestra.

As in the original “˜Fantasia,”™ some of the most famous works of classical music have been interpreted by the Disney artists – including Beethoven”™s Fifth Symphony, George Gershwin”™s “Rhapsody in Blue,” Edward Elgar”™s “Pomp and Circumstance,” and Igor Stravinsky”™s “Firebird Suite.” These new sequences are joined by Paul Dukas”™ “The Sorcerer”™s Apprentice” from the original 1940 film.

Opening night, February 17th, will include a special filmmaker”™s panel at 7:00 pm; the participants are to be announced.

Tickets can be purchased, and the schedule for “Fantasia 2000″ can be found by visiting the El Capitan box office, online or by calling 1-800-DISNEY6. Group rate tickets are available for parties of 20 or more by calling 1-818-845-3110.

SPECIAL OFFER

Tomorrow evening only, (Feb 17th) you can obtain the special rate of $8.00 (Reg Adult tickets are $12).
This special rate is available only by calling (818) 845-3110 and providing the code DCPUB
(It is not available online)

Report by Pauline Adamek

A harrowing tale – Sidhe at The Road Theatre

photos by Matt Kaiser

Brutal and raw, Sidhe is a terrifyingly powerful theatrical experience. Expect to feel shell-shocked once you stagger out of the auditorium and don”™t be surprised if you find yourself reaching for a stiff drink. This critic felt bruised, assaulted and thoroughly gripped by the unfolding of Ann Noble”™s pitch dark drama, but that”™s nothing compared with what these four astoundingly brilliant actors put themselves through each night.

Sidhe is actor/playwright Ann Noble”™s seventh play. First was And Neither Have I Wings to Fly, a gentle period family drama about a budding romance, set in rural Ireland during the 1950s. This quaint and cozy piece of theatre was staged by The Road late in 2007.

The Pagans is Ann Noble’s second Irish play, a kitchen-sink drama also set in rural Ireland. Other works include The Boarding House; Ariadne”™s Thread; By Moonlight; and Alighting Home.

With her latest play, Sidhe (pronounced “Shee”) Noble combines the spooky mythology of Irish folklore with seedy south side Chicago in a harrowing story about letting go of the past.

Sidhe proves a startlingly abrupt change of setting, pace, mood and approach for this daring playwright. It”™s almost as if Noble is trying to demonstrate her versatility with some kind of murderous vengeance. “˜You liked those pretty little stories I spun? Well, now watch this!”™

Louise (Ann Noble) runs a bar in Chicago that her cop brother-in-law Vernon (Rob Nagle) frequents. Prickly conversations between the two reveal a common loss.

When a mysterious and taciturn Northern Irish couple rent the illegal room above the bar, the pair bring a whirlwind of deeper violence into the lives of these two broken people, still recovering from their own, still fresh bereavement.

Set in a Chicago bar and the flat above it on Chicago”™s south side in the early 1990″™s, Sidhe tells the bittersweet story of Louise, to be played in this Road premiere by the playwright Ann Noble, who illegally rents the seedy flat above her bar to Conall and Jacquelyn (Patrick Rieger and Jeanne Syquia) in order to put some much-needed cash in her pocket after both her father and her sister”™s deaths. It is clear this strangely aloof Northern Irish couple is on the run, but not so clear from whom or from what.

Louise must also deal with her brother-in-law, Vernon (Rob Nagle), a resentful Chicago cop who can”™t seem to get over his wife”™s death and spends his days drinking away his sorrows””until he meets the new upstairs neighbors and, like Louise, becomes entangled in the horrifying events of their lives. Both Louise and Vernon become fascinated not only by Con”™s calculating and violent behavior, but also by the disturbing pictures Jackie obsessively draws. They are pictures of the Sidhe, which, in Irish folklore, are supernatural creatures. In Jackie”™s world, however, they are something altogether different”¦

While the entire of four give superb performances, special mention should go to Jeanne Syquia for her ability to evolve from a timid, angelic and child-like woman to reveal another side of her personality entirely, something that is akin to demonic possession. That she can achieve this transition with such veracity and ferocity makes it all the more astounding.

photos by Matt Kaiser

The thick Northern Irish accents coupled with the South side Chicago accents, plus the complex backstory, does leave us a bit confused at times. This is a play where you’re not sure if you got it all, but that just means it keeps percolating in your brain for a long time afterwards.

At the stunning conclusion of this harrowing drama, director Darin Anthony offers the distraught audience a grace note in the form of a deeply affecting, quiet curtain call. This touch was surprisingly tender after so much bitter violence.

It”™s taken me two weeks to attempt this review. The material is so ferocious and dark that I found I couldn”™t bring myself to revisit the experience.

If you are a fan of visceral, powerful theatre, containing some unspeakable acts and scenes as well as a deeply moving storyline, then I am urging you to SEE THIS PLAY and decide for yourself.

Special Events:

Post-Show Q&A

Sat., Feb. 27th
with Director Darin Anthony, Playwright Ann Noble and Cast

Post Show Soiree

Sat. Mar. 6th
Mingle with Director, Playwright and Cast, explore the set, nibble savory treats and partake of wine and beverages.

The Road Theatre Company
5108 Lankershim Blvd., North Hollywood CA 91601

Runs: until Saturday, March 20th, Fridays and Saturdays at 8 p.m.
Sundays at 2 p.m.

Tickets: $30.00
Box Office: (866) 811-4111

Check their website for **Pay-What-You-Can Nights** — next is  Sunday, February 21st.

The Road Theatre, located two blocks south of Magnolia Boulevard. in the historic Lankershim Arts Center,

5108 Lankershim Bl.. North Hollywood.

For further information, call 866.811.4111 or log on to their site

Review by Pauline Adamek