Archive for March 2010 – Page 2

Eddie Lin”™s Extreme Cuisine – the Intense Review

beef penis -- GAG!

Many of you avid foodblogging fans will already be familiar with Eddie Lin”™s Deep End Dining, a fascinating website where nothing is too freaky or disgusting-sounding for his brave palate to sample and his blown mind to appraise.

*** MEET the Author — BOOK Signing – Sat March 6th, 2010 –
1:00pm – 3:00pm
The Annex, 2204 N. Main St., Santa Ana, CA ***

Ever the intrepid ingester, Eddie has just brought out his own book, in conjunction with the Lonely Planet travel guides.

Extreme Cuisine is a pocket-sized, nifty little book that will tell you everything you need to know about some of the most bizarre foods to be found on this earth. The most staggering part? People really eat this stuff.

So, you think you know a thing or two about weird cuisine? Yeah, I also saw that Simpson”™s episode when Homer thought he was going to die from eating Japanese Fugu (aka puffer) fish. I knew that some cultures consider Corn Smut and Grasshoppers a delicacy (Mexico) or adore boiled sheep stomach stuffed with offal (aka the Scottish national meal of Haggis). But actually cooking and eating Bull”™s Pizzle (aka penis)?! Whoa, there. [^ photo above]

In Extreme Cuisine, each compact chapter has a large photo on one page of the questionable substance, in full technicolour, and some background information on the opposite page. This neat little book is nicely laid out with all the foods listed in alphabetical order, followed by the country of origin. There”™s even a link or an address telling you where to find each freaky food item. Lin”™s flair for comedic writing and clever puns makes Extreme Cuisine a genuinely fun read, though sometimes you might not know whether to belly laugh or barf.

Certain foods don”™t seem all that extreme to me. The Australian entries, for the most part, are fairly benign. Marmite and Vegemite? I grew up on the salty black stuff and still love spreading it on my buttered toast and eating it for breakfast. Pie Floaters? What”™s so crazy about a soggy meat pie swimming in some green pea soup? Take it from me, kangaroo is a tough meat that doesn”™t taste any better after you”™ve hunted it down, shot, skinned and minced it. Then there are those plump, chubby Wichetty grubs, considered “˜good tucker”™ by Australian Aborigines. Okay, I can”™t say I”™ve ever seen one of those maggoty grubs, so I”™m not sure if I”™d ever give one a try.

But all those other weird and wonderful extreme foodstuffs? The good news is that Bull”™s Pizzle is available right here in the Valley, at the Ranch 99 Asian supermarket on Sepulveda, Blvd., just north of Victory. That”™s right – those wacky Chinese consider the giant penis of a bull, when thinly sliced and cooked in broth, a delicious aphrodisiac.

Most of the products mentioned in this book are things I have never tried and hope I never do. I tend to steer clear of any rotten foods, such as the fermented soybeans known as Natto in Japan or fermented herring from Sweden. But roasted guineapig (aka cuy) from Peru? Scorpions from Thailand? Fish sperm from Japan? Deep-fried Tarantula from Cambodia? Are you kidding me?!

Durian is a local delicacy of Southeast Asia that I once sampled in Singapore. Once. I didn”™t eat the fresh fruit, but rather a puree of it prepared at a restaurant that specialised in Perananken fare, which is the cuisine of the indigenous people of Malaysia.

The flesh of a massive, spine-covered fruit, Durian is famous for it”™s strong aroma that many describe as a mix between pig dung and carrion (aka rotting corpses).

As Lin so eloquently describes, “It”™s a mosh pit of flavours that include garlic, onions, caramel, stale cheese and strawberry, all eaten while in a porta-potty.”

Wow.

I will never forget how the utterly rank smell of that pungent fruit shot back up my nasal passages as I gulped down a tiny bit of the puree. Not tasty, off-putting and decidedly unpleasant. Although this strong-smelling fruit is banned in hotels and on public transport, many people seem to enjoy eating it.

1000-Year-Old-Egg (China) rivals Duck Foetus (aka Balut, from the Philippines) as the nastiest delicacy out there. First off, the egg is this gooey, oozing blackish green colour. Does that sound appetising? The ancient egg apparently gives off the aroma of sulphur and has a slimy texture. Keep talking. Balut is exactly what it sounds like; an unborn duck embryo that you eat straight out of its shell after it”™s been boiled. This foul-sounding item is also available here in LA, at the Filipino chain of restaurants, Seafood City, one of which can be found in North Hills.

With its list of over sixty different and unusual foods, Extreme Cuisine is bound to challenge your ideas of what makes good eating. At the very least, Eddie Lin”™s hilarious and informative book makes for great reading.

Available for pre-purchase at Amazon.

Extreme Cuisine cover

Review by Pauline Adamek

Bad blood and recriminations – The Price at Theatre West

They just don”™t write plays like they used to. They really don”™t. Playwright Arthur Miller is an American legend, and not simply because he was movie siren Marilyn Monroe”™s third husband. Born in 1915, Miller was a prominent figure in American literature and cinema for over 61 years. Miller died in 2005 and his works remains the standard against which almost all modern American drama is measured.

photos by Mark W. Travis

photos by Mark W. Travis

Arthur Miller wrote plays, screenplays, novels, short stories, non-fiction and an autobiography, but he is probably best remembered for his play Death of a Salesman, winner of the New York Drama Critics Circle Award, three Tony Awards and the Pulitzer Prize for Literature. It was the first play ever to win all three prestigious awards at once.

Miller based his works on American history and his own life as well as his observations of (largely) contemporary American culture. He fashioned universal stories about an individual”™s struggle with his society, his family, and above all, himself. Miller”™s characters are plagued by anxiety, depression, and guilt – all trials to which almost everyone can relate. He created works that were familiar, identifiable and remarkable for their power to move an audience.

Currently playing at Theatre West near Universal Studios, on weekends until March 21st, is Miller”™s family drama The Price, directed by Stu Berg.

In the attic of a soon-to-be-demolished house, two brothers meet after a long estrangement to dispose of their dead parents”™ property. One is Victor, a policeman who sacrificed his education and a possible career as a scientist to care for his ruined, invalid father. The other, Walter, is an eminent surgeon who walked out on the demands of family to concentrate on medicine and personal success. Their confrontation leads them to examine the events and qualities of their very different lives and the price that each of them has had to pay.

Two others are present, each with their own agendas – Walter”™s devoted wife, Esther and Gregory, an 89-year-old used furniture dealer, rejuvenated by the activity of negotiating a more literal price for the goods to be sold.

As Victor notes, there”™s a price that people pay for the choices that they make in the conduct of their lives. The two brothers prove no exception to this observation.

The 1968 play by Arthur Miller has been one of the most successful and justly acclaimed works by this 20th Century American master.

The Price may have been first staged on Broadway in 1968, but as with all good plays its themes stand the test of time. Miller”™s play is about family dynamics, the price of furniture and – above all – the price of one”™s decisions and how they affect your life.

At first the scenario is full of easy banter and wry exchanges between Vic (Cal Bartlett) and his wife Esther (Dianne Travis), as they contemplate the clutter and detritus of a lifetime – that is, the remaining belongings of Walter”™s long deceased father.  Turns out the brownstone where Vic lived with his father is due for demolition and the time has come to deal with its contents. Hovering over the tiresome task is a far more onerous one; Vic feels duty bound to attempt to contact his estranged brother Walter (Don Moss) before he disposes of all of their parents”™ belongings. Gradually a picture emerges of lingering resentment and failed dreams.

photos by Mark W. Travis

photos by Mark W. Travis

By the conclusion of Act One, Vic”™s estranged brother makes a dramatic appearance and the remainder of the play is comprised of some long speeches that beautifully illustrate everyone”™s recriminations and bitterness regarding a perceived moral debt. A lifetime of bad blood, regrets and resentment bubble to the surface as the two brothers face off and level accusations at each other.

Offering plenty of comic relief is the wonderful performance by Marvin Kaplan. He plays the wily Russian-Jewish – almost nonagenarian – antique dealer who puffs up the stairs during Act One to strike a deal with Vic and Esther on the various pieces of furniture and other assorted contents. With his blustering and prevaricating, as well as hilarious double takes, Kaplan gives a fantastic comedic performance that skirts caricature. The rest of the cast acquit themselves well with this wonderful piece of drama.

While the speeches during Act Two *are* long, Miller”™s play nevertheless is marvelously constructed and exemplary in its dramatic perfection.

Well worth seeing.

Theatre West

3333 Cahuenga Blvd. W.
Los Angeles, CA 90068

Runs:

Fridays and Saturdays at 8 p.m.. Sundays at 2pm, until March 21st, 2010.

Tickets:

$22″”25.00; Seniors $17.00;  Students (25 and under) $5.00

Box Office:

(323) 851 7977

Online ticketing here

Review by Pauline Adamek

Writer’s Workshop — LA Writers Center

Che'Rae portrait

Calling all writers!!

Have you always wanted to write something but weren”™t sure how to go about it? Do you have an idea that has not yet been fleshed out? If you”™re not sure if you have a compelling story to tell, then perhaps a writer”™s workshop can help you find one!

Watch your ideas develop and take shape by joining a Spring Writing Workshop presented by the LA Writers Center and guided by Che”™Rae Adams.

Starting on Tuesday, March 9th, the 2010 Spring Writing Workshop is being held at the Lankershim Arts Center, in NoHo.  Classes will be held every Tuesday eve from 7″”10pm.

This 8-week workshop is open to beginner writers as well as more experienced writers as well as everyone in-between. The only requirement is a desire to write and a commitment to the process.

Over the course of eight weeks, this hands-on workshop is designed to help you get your script ready for production by taking a close look at effective dramatic writing.

The course is for writers who want to develop a script, or rewrite an existing script or even finish an incomplete screenplay.  It may include anything from a few scenes to an entire draft. Also, play scripts (including solo shows) as well as screenplays are welcome.

This course includes in-class exercises and the reading and discussing of participants’ scripts in a supportive setting. The instructor will introduce proven formulas and exercises which can be applied to the writing process. Writers will be encouraged to explore their own intentions and point of view, while learning how best to get their script produced.

Come and learn how to shape your ideas with Che”™Rae Adams.

“More like a living room than a class room – a very casual, fun atmosphere.”

WHEN:
March 9th – April 27th 2010
Tuesdays, 7:00 – 10:00 p.m.
Tuition: $400.00

WHERE:
Lankershim Arts Center
5108 Lankershim Boulevard
North Hollywood, CA 91601

Instructor Che”™Rae Adams has taught workshops at:

UCLA Extension
Catholic University
The University of Cincinnati,
(College Conservatory of Music)
The Kennedy School of Government
(Harvard University)
The Writers Institute @ Florida Center for Literary Arts
(Miami Dade College)
The Los Angeles Women’s Theatre Festival
California State University, Fullerton
Pasadena Playhouse (Teaching Artist)
The Director”™s Lab, West
The California African American Museum
The Susan McIntyre Playwrights Festival and
The Learning Annex

To register, log onto www.cheraeadams.com or contact Che’Rae directly at cheraeadams@sbcglobal.net

LA Writers Center

Report by Pauline Adamek

Walk into Wonderland – El Capitan

ALICE IN WONDERLAND

Don”™t be late for this very important date! Just like Alice, you can enter a magical Wonderland and be surrounded by delightful sets and props from the mysterious film that director Tim Burton has created, based on Lewis Carroll’s marvelous books.

Hollywood”™s legendary El Capitan Theatre welcomes director Tim Burton”™s 3D fantasy adventure Alice In Wonderland, presented in Disney Digital 3Dâ„¢ from Disney, March 5th through April 20th.

Exclusively at the El Capitan, guests will have the opportunity to Walk into Wonderland, as they experience the theatre”™s spectacular transformation with props and set pieces from the actual film.

Daily showtimes are 10:00 am, 1:00 pm, 4:00pm, 7:00pm and 9:45pm. There will also be special midnight shows offered on opening weekend. Tickets are on sale now, and available at the El Capitan Theatre (6838 Hollywood Blvd.), online or by calling 1-800-DISNEY6. Special group rates for parties of 20 or more are available by calling 1-818-845-3110. Showtimes subject to change.

The world of Tim Burton”™s Alice in Wonderland extends to Disney”™s Soda Fountain and Studio Store, where there will be a special “Wonderland” themed sundae, served in a collectible cup. There will be a different themed cup available each week of the engagement, so guests can collect all four.

Commenting on the announcement, Nicole Rivelli with the El Capitan Theatre said, “Walt Disney Pictures and Tim Burton”™s ALICE IN WONDERLAND is a magical and imaginative twist on some of the most beloved stories of all time. For this special engagement, we have transformed the El Capitan into Wonderland itself. Our guests will find themselves surrounded by unforgettable avant-garde set pieces and props from the film, and experience ALICE IN WONDERLAND in stunning Disney Digital 3D, for a truly magical and wondrous trip down the rabbit hole!”

ALICE IN WONDERLAND

ALICE IN WONDERLAND stars Johnny Depp as the Mad Hatter and Mia Wasikowska as 19-year-old Alice, who returns to the whimsical world she first encountered as a young girl, reuniting with her childhood friends: the White Rabbit, Tweedledee and Tweedledum, the Dormouse, the Caterpillar, the Cheshire Cat, and of course, the Mad Hatter. Alice embarks on a fantastical journey to find her true destiny and end the Red Queen”™s reign of terror. The all-star cast also includes Anne Hathaway, Helena Bonham Carter, and Crispin Glover. The screenplay is by Linda Woolverton. Rated PG.