Archive for April 2010 – Page 2

Up close and hands on – Sunset Safari at LA Zoo

(l-r) Claire Dennis and Elizabeth Mansour - photo by Jamie Pham

Scores of supporters of the Los Angeles Zoo, along with their excited children, were treated to a special interactive evening with the animals at the Zoo’s annual Sunset Safari last Saturday. The super-fun night for Safari Club donors was hosted by the Greater Los Angeles Zoo Association (GLAZA). Patrons of the Safari Club, which is GLAZA’s premier annual giving society, enjoyed an after-hours evening of dinner and music, as well as the opportunity to touch and observe some of the Zoo’s smaller animals.

Claire Dennis and Elizabeth Mansour played with a gopher snake at the Sunset Safari.

GLAZA President Connie Morgan and Los Angeles Zoo Director John Lewis presided over the fun event. The 2010 Sunset Safari featured a variety of keeper talks and feedings with the Zoo’s recently acquired Brazilian giant otters – extremely large and very playful – as well as the maned wolf, mountain tapirs, white-faced saki, golden lion tamarins, snow leopards, tigers, a sleepy Indian rhino and hungry black bears. Connie Morgan and John Lewis - photo by Jamie Pham

A monstrous hippo enjoyed a stream of water being hosed into his cavernous mouth and behind his ears while a contented Asian elephant munched nosily on handy greenery.

There were also strolling ‘animal walkabouts,’ which included chats with keepers and the chance to observe small animals up close.

Here Madison Jennings – rocking a Jack White-style hat – got to meet a docile Australian skink. Madison Jennings - photo by Jamie Pham

Several keepers were holding large and heavy owls on their gloved arms, including a great horned owl named “Thurston Owl III” – a moniker that gained hoots of laughter from anyone old enough to remember the characters from the TV show Gilligan’s Island.  In other words, the kids looked pretty puzzled by that pun.

Never mind – there was plenty to keep them all entertained.

The tour was followed by lashings of food including a mashed potato bar, various Peruvian delicacies such as tamales and even a chocolate fountain. Zoo patrons dined al fresco to the jaunty music of a Peruvian folk band.

All in all, a grand time was had by all!

The SAFARI CLUB is open to the public. Everyone’s tax deductible gift, which begin at $1,500, have an impact on many levels. Locally, they support the Zoo, as this oasis of plant and animal life continues to flourish, educate and enrich your community. Globally, they contribute to the Zoo’s conservation and breeding programs, which offer hope of recovery for many of Earth’s endangered species.

Sunset Safari is among the many offerings presented by the private, non-profit Greater Los Angeles Zoo Association, founded in 1963. This year marks more than four decades of GLAZA’s success in supporting the Los Angeles Zoo and Botanical Garden’s work as an educational resource for the citizens of Los Angeles, and as an international center for the conservation of endangered wildlife. GLAZA provides funds and other services for Los Angeles Zoo exhibits, conservation, capital projects, education programs, community outreach, research, and more through fund-raising and an endowment, membership, special events and more. GLAZA currently has 65,000 member households, the second largest membership base of a cultural organization in Los Angeles. Many of its nearly 300,000 individual members have sustained their GLAZA support for more than 20 years. The Los Angeles Zoo is an international leader in the conservation of endangered species and one of the city’s major cultural and entertainment resources.

Safari Club patrons are immersed in opportunities to experience the Zoo as a catalyst for change in our natural world and to come closer to the animals we all love.

The Los Angeles Zoo is located in Griffith Park at the junction of the Ventura (134) and Golden State (5) freeways.

For information about the SAFARI CLUB, please contact Nancy Simerly at 323 644-4717 or via email: nsimerly@lazoo.org

Report by Pauline Adamek

An engrossing kitchen-sink drama – Awake and Sing!

production photos by Craig Schwartz

Somewhat of a museum piece, Awake and Sing! is an engrossing Depression-era, kitchen-sink drama written by American playwright Clifford Odets. Initially produced by The Group Theatre in 1935, the Bronx-set, Jewish family drama has been dusted off and faithfully staged by A Noise Within, and is currently playing in repertory with Much Ado About Nothing and The Playboy of the Western World.

Clifford Odets”™ poetic study of an impoverished Jewish family living in the Bronx has been described as a play that established many dialogue patterns that subsequent American playwrights adopted thereafter. Against the backdrop of the great Depression, so tangibly depicted as a time of lack and hopelessness, we observe the domestic conflicts of the Berger family as the parents scheme to manipulate their adult children”™s relationships to their own ends, while the son and daughter strive to realize their own dreams.

Right from the outset, young Ralph Berger (Adam Silver) nervously voices his aspirations. Countering the negativity of his father Myron (played by Joel Swetow) – “People ain”™t the same. The whole world is changing right before our eyes,” – Ralph dares to articulate his ambition to be successful, claiming, “I wanna make up my own mind about things – make something of myself.”

But within this oppressive household, where everyone knows each other”™s business and speak their minds with brutal ferocity, sometimes to the point of yelling in each other”™s faces, it proves difficult for the youngsters to forge an optimistic future. Yet there is also a charming and endearing quality to the power struggles and heated discussion of family matters.

Eventually the simmering tensions build to a crescendo during Act II, when a tragic turn of events rocks the entire household, leaving us to wonder where this story is heading.

This production features veteran actor Len Lesser (Jacob), who is best known to contemporary audiences as Seinfeld”™s “Uncle Leo.” His is a realistic, toned-down performance that amps up the pathos over broad comedy.
One fascinating character, whose motives we never quite predict, is Moe Axelrod (Daniel Reichert) a cynical war veteran and friend of the family who eventually boards with the Bergers. He”™s as tough as nails, spouting some hard-boiled, street-smart dialogue, yet he comes across as a fleshed-out and real character. It”™s Moe”™s canny intervention that slyly pulls the rug out from under the matriarch (Deborah Strang) Bessie Berger”™s deceitful and destructive scheme to control her children”™s future.
Happily, the play concludes with great promise for the younger generation. As Odets himself wrote, “All of the characters in Awake and Sing! share a fundamental activity: a struggle for life amidst petty conditons.”

production photos by Craig Schwartz

Alongside highly regarded ANW Resident Artists Deborah Strang and Joel Swetow (as Myron Berger), the play also features Alan Blumenfeld (Uncle Morty), Molly Leland (Hennie Berger), David Lengel (Sam Feinschreiber) and Alan Waserman (Schlosser).

Odets captures the essence of the human spirit – the tragic and the comic – displayed in a Jewish family in the Bronx fighting to keep their heads above water at the height of the Depression,” says Director Andrew J. Traister, who notes that Odets has been dubbed the American Chekhov. “Families do whatever they can to survive in tough times, regardless of their ethnic background. There is a depth to this family”™s love during trying times that may not be near the surface of their emotions. As we get to know this family over the course of a year, we discover the vagaries of their life, the choices, often sad, sometimes comic, that propel an existence filled with many varied endings.”

Currently playing in repertory along with Much Ado About Nothing and The Playboy of the Western World, Awake and Sing! closes on Sunday, May 23rd, 2010.

PLAYING:
Friday, April 23, 8 pm
Saturday, April 24, 2 pm
Saturday, April 24, 8 pm
Thursday, May 6, 8 pm
Friday, May 7, 8 pm
Saturday, May 8, 2 pm
Saturday, May 8, 8 pm
Sunday, May 23, 2 pm
Sunday, May 23, 7 pm

WHERE:
A Noise Within
234 South Brand Blvd.,
Glendale, CA 91204

TICKET PRICES:
$44 (Friday and Saturday evenings, Sunday matinees);
$40 (Wednesday, Thursday and Sunday evenings, Saturday matinees);
$30 (Previews).
Group rates and special rates for school groups available

TICKETS & INFO:
818-240-0910 x1

Review by Pauline Adamek

The Shakespeare Smackdown – one evening only

Joan Shakespeare

THEATRE 40 is proud to present the very talented Joan Darling in a tour-de-force performance to benefit Theatre 40 in her solo show: JONI vs THE BARD: The Shakespeare Smackdown, written by and starring Joan Darling and directed by Blake Bradford, for one evening at Theatre 40 on Sunday, April 25th at 7:00 PM.

In the vein of Al Pacino’s Looking for Richard and Sir Ian McKellen’s Acting Shakespeare, Joan will share her lifelong passion for Shakespeare and how it can be thrilling, engaging, and most important FUN. Melt into the worlds that Shakespeare created as she performs some of her favorite selections from Romeo and Juliet, Twelfth Night and Julius Caesar.

Joan Darling is no stranger to the works of Shakespeare. She starred at the Ashland Oregon Shakespeare Festival for two seasons and was awarded “Best Actress” both years. She went on to perform at the American Shakespeare Festival in Stratford as Viola in Twelfth Night, to much acclaim. Joan then joined the award-winning improvisational theater company, The Premise, with Gene Hackman, Tom Aldredge, and Ron Liebman as well as starring on Broadway in Leda had a Little Swan and A Minor Adjustment. She won an Emmy for her performance in Dorothy Parker, Woven in Crazy Plaid.

She is renowned as a teacher (her classes in LA have had up to a five year waiting list) and is a lifelong Shakespeare enthusiast. She created the “Directing the Actor” workshop for the Sundance Institute and has served as a creative adviser at the Director’s Lab at Sundance for the last seventeen years. She also has served as a creative adviser at the European Moonstone Labs. Joan Darling has been honored by the Museum of Broadcasting as a “Woman Who Made It.”

Theatre 40 is a professional theatre company located on the Beverly Hills High School Campus at 241 Moreno Drive.  The Theatre is air-conditioned, has ample free indoor parking and is disabled accessible.

Tickets for JONI vs THE BARD are $25.00.

RESERVATIONS: 310-364-0535.

7:00 pm Curtain, Sunday, April 25th 2010

Report by Pauline Adamek

A touching Irish play — Da

Da pic3

Last days to catch this Tony award-winning play!

Now playing at the Sierre Madre Playhouse.

First staged in 1978, Da is a comedy play by Irish playwright Hugh Leonard. Subtitled “An Irishman”™s tale of life, love and one pesky ghost,” Leonard”™s autobiographical play had its New York City premiere at the off-off-Broadway Hudson Guild Theatre. This production transferred to Broadway shortly after the completion of its run.

The main protagonist, an expatriate writer named Charlie, represents playwright Leonard himself. His play is largely set in Charlie”™s family home in Dalkey, County Dublin, in 1968. There are numerous flashbacks to times and places remembered from his youth. The play deals with Charlie’s relationships with the two father figures in his life: “Da” (an old-fashioned Irish nickname meaning “Daddy” or “Papa”), who is his adoptive father, and Drumm, a cynical civil servant who becomes his mentor.

When Charlie, a writer who’s been living in London for many years, returns to his boyhood home in Dalkey, a suburb of Dublin, Ireland, after the death of his adoptive father, he finds that the tiny claustrophobic house is filled with the ghosts of his parents and of his younger self. He also finds his father’s ghost stubbornly unwilling to leave the house. “˜Da”™ might be dead, but he won”™t shut up! Charlie interacts with all the ghosts, relives important moments from his youth and comes to grips with his complicated feelings for his adoptive parents. As the events of Charlie’s youth and Da’s troubled relationship with Mother are replayed, we discover the darkly comic, bittersweet relationship that existed between father and son. Through Charlie’s conversations and interactions with these ghosts and examination of his past, we see both why he loved his parents and why he was so eager to leave them far behind.

Amusing at times – especially in Act II – it is difficult to understand why Hugh Leonard’s play was so acclaimed. Da won Drama Desk, New York Critics’ Circle and Tony awards for Best Play. My main complaints concern the tendency for Charlie to address the audience directly on occasion, which is jarring at times, as well as the jumbled way in which the ghosts of Charlie”™s past populate the stage. Charlie”™s visions and conversations, with not only his deceased parents but also himself as a younger fellow, give the play an unusual structure and an odd sense of logic that I was unable to wrap my head around.

One scene that takes us out of the family home, when young Charlie has an encounter with a young local lass named Mary Tate (dubbed “The Yellow Peril”), was a real delight. Lila Dupree portrayed this conflicted girl extremely well, bringing an emotional depth to this scene. Her shift towards warmth when “˜Da”™ wins her over by treating her like a person instead of an object added to the humanity of this fine scene.

Directed by Bill Mesnik, Da also stars Rees Pugh as Charlie, David Doty as Da, Amelia White as the Mother, John Harnagel as Drumm, an old employer, Karen Kähler as Charlie”™s father’s former employer, Austin Grehan as Oliver and T.J. Marchbank as the younger Charlie.

Save for a bit of fluffing of lines on opening night, the entire cast does fine job bringing to life this passionate and personal play.

Sierra Madre Playhouse
87 West Sierra Madre Boulevard
Sierra Madre, CA 91024-2462
(626) 355-4318

LAST DAYS! Playing Friday April 16th and Saturday April 17th at 8pm.

Review by Pauline Adamek

Stop-motion symposium at Cella Gallery, NoHo

Cella stop motion

Tomorrow night only!

Cella Gallery is hosting a special evening with artist
SCOTT KRAVITZ

Explore the miniature worlds of Stop-Motion Animation

Saturday, April 10th, 6-10pm

Artist Symposium begins at 8 pm, with a Question and Answer period to follow.

Please RSVP to:
info@cellagallery.com

Cella Gallery
5229 Lankershim Blvd. North Hollywood, CA 91601
213-291-7908

Report by Pauline Adamek