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::STOP PRESS::

Farewell to Surrealism: The Dyn Circle in Mexico has been extended until

Sunday April 14, 2013

Don’t miss this extra-special exhibition!

 

Now in its last months, “Farewell to Surrealism: The Dyn Circle in Mexico” is an exquisite exhibition about a little know mini-movement in art history.

The Surrealism movement in France lost its steam when several important players moved to the United States. But not many people realize that some also moved to Mexico, where a small splinter group of Surrealists, with their own artistic investigation and sensibilities briefly thrived.

Open only until Sunday April 14, 2013, this small yet superbly detailed exhibit is open to the public in the special display halls of the Getty Research Institute, at the Getty Center (the GRI).

This exhibition explores the ideas of the unique journal Dyn, created by an international group of writers and artists collaborating in Mexico in the 1940s.

The exhibition also includes several photographs by Eva Sulzer (Swiss, 1902–1990), a small sample of a recent acquisition by the Getty of more than ninety photographs taken by Sulzer in Canada, Alaska and Mexico in 1939.

Assembled are paintings, photographs, drawings, letters, ephemera and other objects from more than a dozen artists and writers connected with Dyn, including  Paalen, Rahon, Sulzer, as well as Manual Alvarez Bravo (Mexican, 1902-2002), Miguel Covarrubius  (Mexican, 1904-1957), Gordon Onslow Ford (English, 1912-2003), Doris Heyden (American, 1915-2005), Robert Motherwell (American, 1915-1991), César Moro (Peruvian, 1903-1956), Rosa Rolando (American, 1985-1970), and others.

The exhibition Farewell to Surrealism: The Dyn Circle in Mexico, curated by Annette Leddy and Donna Conwell, is accompanied by an illustrated catalog of the same title, published by Getty Publications, and has an introduction by Dawn Ades.

“Farewell to Surrealism: The Dyn Circle in Mexico”

At the Getty Research Institute,

The Getty Center

1200 Getty Center Drive,

Los Angeles, California. USA.

October 2, 2012–Sunday April 14, 2013

Opening hours:

Tuesday, Wednesday, Thursday, Friday and Sunday from 10am to 5.30pm.

Saturday from 10am to 9pm.

 

Visiting the Getty Center

The Getty Center is open Tuesday through Friday and Sunday from 10 a.m. to 5:30 p.m., and Saturday from 10 a.m. to 9 p.m. It is closed Monday and major holidays. Admission to the Getty Center is always free. Parking is $15 per car, but reduced to $10 after 5 p.m. on Saturdays and for evening events throughout the week. No reservation is required for parking or general admission. Reservations are required for event seating and groups of 15 or more. Please call (310) 440-7300 (English or Spanish) for reservations and information. The TTY line for callers who are deaf or hearing impaired is (310) 440-7305. The Getty Center is at 1200 Getty Center Drive, Los Angeles, California.

Additional information is available here.

The J. Paul Getty Trust is an international cultural and philanthropic institution devoted to the visual arts that includes the J. Paul Getty Museum, the Getty Research Institute, the Getty Conservation Institute, and the Getty Foundation. The J. Paul Getty Trust and Getty programs serve a varied audience from two locations: the Getty Center in Los Angeles and the Getty Villa in Malibu.

The J. Paul Getty Museum collects in seven distinct areas, including Greek and Roman antiquities, European paintings, drawings, manuscripts, sculpture and decorative arts, and photographs gathered internationally. The Museum’s mission is to make the collection meaningful and attractive to a broad audience by presenting and interpreting the works of art through educational programs, special exhibitions, publications, conservation, and research.

Sign up for e-Getty here to receive free monthly highlights of events at the Getty Center and the Getty Villa via e-mail, or visit their home page for a complete calendar of public programs.

 

 

 

Pauline Adamek
Pauline Adamek
Pauline Adamek is a Los Angeles-based arts enthusiast with twenty-five years' experience covering International Film Festivals and reviewing new Theatre, Film and Restaurants.

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