Photo Essay — 45th Annual Los Angeles Drama Critics Circle Awards evening
April 11, 2014
Annette Bening performs Ruth Draper’s Monologues at the Geffen – Los Angeles theater review
April 18, 2014

LAST DAYS! Handspring Puppet Company’s magical version of “Midsummers” – at The Broad Stage – Los Angeles theater article report

Midsummers

 

Gentle readers!

Here is my newest feature article on the Stage Raw site — South Africa’s Handspring Puppet Company brings their magic to a new interpretation of Shakespeare’s beloved comedy A Midsummer Nights Dream.

Now playing at The Broad Stage in Santa Monica.

***Show CLOSES this Saturday, April 19, 2014 ***

 

South Africa’s Handspring Puppet Company recently gained acclaim for its collaboration with playwright Nick Stafford and the Bristol Old Vic’s production of War Horse. The Tony-Award winning phenomenon made its world premiere at the National Theatre of Great Britain’s Olivier Theatre in 2007, and later played in Los Angeles at the Ahmanson Theatre, in 2012. A unique theatrical experience that combined intense drama with elaborate staging and dazzling puppetry, War Horse was essentially a love story between a boy and his horse. At the heart of the show were full-sized puppets that brought breathing, galloping and charging horses to life on stage.

Handspring Puppet Company has now re-teamed with Bristol Old Vic’s Artistic Director Tom Morris to present A Midsummer Nights Dream, closing this Saturday at Santa Monica’s The Broad Stage. The production creates puppets from found-objects that come to life in Shakespeare’s magical world.

Adrian Kohler, Artistic Director of Handspring and designer of the dream puppets spoke with Stage Raw about his creations in the show.

ADRIAN KOHLER: The overall concept for the puppets designed for A Midsummer Nights Dream was that every object has the right to life. Hippolyta is building a pair of votive figures to bless the pending marriage to Theseus about which she is feeling rather dubious. He beat her in battle after all… But other objects — the tools in her workshop, the boards in her walls — all start to manifest her unease.

STAGE RAW: How long did it take to realize this project from early concept meetings to first opening night?

AK: [The show’s director] Tom and Basil [Handspring colleague Basil Jones] and myself all talked about it shortly after War Horse opened in 2007. It went in and out of focus for a good few years. Then we began talks in earnest about a year and a half before we began rehearsals. There were two intensive workshops with Vicki Mortimer, the [set] designer, and some actors, before the final design and build.

SR: Can you briefly describe the various kinds or styles of puppets that were created?

“The smallest puppet is a bee made from a modified wind-up toy. The largest are the two votive figures, bits and pieces of which are used until they are finally fully assembled. There are some rod-puppet fairies that look like remnants from an old fairground. There are some umbrella-like jelly fish that swim about. A number of styles, really.”

To read the remainder of this article, please go here.

 

A Midsummer Night’s Dream  continues at Santa Monicas The Broad Stage until April 19, 2014.

 

 

 

 

 

 

 

Pauline Adamek
Pauline Adamek
Pauline Adamek is a Los Angeles-based arts enthusiast with twenty-five years' experience covering International Film Festivals and reviewing new Theatre, Film and Restaurants.

Comments are closed.