Archive for Dance

Butoh performance at Getty – one night only — Kalpa

*** STOP PRESS: This show was booked out, but check for newly-released tickets ***

Kicking off the Pacific Standard Time Performance and Public Art Festival, this major new site-specific commission by Hirokazu Kosaka transforms the Getty Center’s Arrival Plaza into a sculptural and performative installation. In this event, Kosaka builds a symbolic parallel between kalpa—a Sanskrit word that means “a long period of time”—and how it inevitably transforms our lives, histories, and memories.

This Friday, January 20, 2012, the Getty Museum will present this one-off performance by artist Hirokazu Kosaka along with the Los Angeles Free Music Society.

Using movement and music, Kosaka’s installation Kalpa will transform the Getty Center’s Tram Arrival Plaza with an enormous spotlight, Butoh dancers and hundreds of spools of colorful thread placed on a wall designed by architect Michael Rotondi.

In this performance, Kosaka builds a symbolic parallel between kalpa (meaning ‘eon’ in Sanskrit) and the inevitable passage of time that slowly transforms lives, histories and memories.

“It is believed in the Buddhist faith that once every hundred years, an angel comes down from heaven and swipes the surface of a stone with her silk sleeves until the rock disappears,” said Kosaka. “This idea comes into play in my performance, as it demonstrates the deliberate, unseen passage of time, and the tangible objects that we use to measure it.”

Kosaka is known for his large-scale pieces, which often use publicly accessible space as a platform for dance, performance, and visual art. Kosaka’s work has been performed at venues that include the Museum of Contemporary Art, Los Angeles; the Japanese American Theater, Los Angeles; the Seattle Art Museum; and the Indianapolis Art Museum.

Performers include Butoh master Oguri, who will lead a small company of dancers, musician and composer Yuval Ron, who will create the aural environment with a combination of live and recorded music and sounds, and harmonica player Tetsuya Nakamura.

Following the performance of Kalpa, the Los Angeles Free Music Society will present LAFMS Shoe on the Getty Museum’s outdoor courtyard stage. LAFMS Shoe is an ensemble comprised of many of the core members of the Los Angeles Free Music Society. The musicians will play a series of duets that seamlessly morph from musician to musician, exposing a constantly evolving palette of musical voices.

Kalpa and LAFMS Shoe will be presented on Friday, January 20, 2012, beginning at 7:00 p.m., outdoors at the Getty Center. The events are free, but reservations are required. For reservations or more information, visit the official site or call (310) 440-7300.

The Pacific Standard Time Performance and Public Art Festival will take place from January 19 through 29, 2012, featuring more than 30 extraordinary performances—including contemporary re-enactments of iconic works by artists such as Judy Chicago, Suzanne Lacy, Robert Wilhite and James Turrell. Organized by the Getty Research Institute and LA><ART, and supported by grants from the Getty Foundation in conjunction with the ongoing Pacific Standard Time: Art in L.A. 1945-1980 initiative, the Performance and Public Art Festival will reexamine, reinvent, reinterpret and renew an epochal movement in contemporary art for which Los Angeles has been an epicenter.

 

About the Artist:

HIROKAZU KOSAKA

Born in Wakayama, Japan in 1948, Hirokazu Kosaka now lives and works in Los Angeles, where he serves as Visual Arts Director at the Japanese American Cultural and Community Center. As a student at the Chouinard Art Institute, where he graduated with a BFA in painting in 1970, Kosaka began to explore the art of performance, looking toward artists such as Wolfgang Stoerchle, Allen Ruppersberg, William Leavitt and Chris Burden for inspiration. As a young artist, Kosaka also began to incorporate Eastern traditions in his art, drawing from his appreciation of the centuries-old traditions of Noh drama and Kabuki theater, his knowlege of the ground-breaking experimental art of Japan’s Gutai Group in the mid-1960s, as well as his own experience with Buddhist chanting and Zen archery.

In 1973, Kosaka returned to Japan where he completed a three-month long performance piece called “Soleares” and later embarked upon a traditional 1,000-mile Zen pilgrimage called “The 88 Temples.” After completing this spiritual journey, Kosaka remained at a Buddhist monastery and was ordained as a Shigon Buddhist priest. He later returned to Los Angeles where he began to create large-scale, process-oriented artworks infused with the teachings he learned as a priest.

Today, Kosaka is known for his large-scale, performative pieces, which often use publicly accessible space as a platform for dance, performance, and visual art practice. Kosaka’s work has been seen and performed at venues including the Museum of Contemporary Art, Los Angeles; the Japanese American Theate, Los Angeles; the J. Paul Getty Center; the Seattle Art Museum; and the Indianapolis Art Museum. Selected grants and awards include a Creative Capital grant, a Rockefeller Foundation grant, a California Arts grant, and a Los Angeles Endowment for the Arts grant.

 

Kalpa and LAFMS Shoe

Friday, January 20, 2012,

7:00 p.m., outdoors at the Getty Center.

Getty Center
1200 Getty Center Drive
Los Angeles, California 90049

 

The events are free, but reservations are required.

For reservations or more information, visit the official site or call (310) 440-7300.

 

 

 

The J. Paul Getty Trust is an international cultural and philanthropic institution devoted to the visual arts that includes the J. Paul Getty Museum, the Getty Research Institute, the Getty Conservation Institute, and the Getty Foundation. The J. Paul Getty Trust and Getty programs serve a varied audience from two locations: the Getty Center in Los Angeles and the Getty Villa in Malibu.

 

The J. Paul Getty Museum collects in seven distinct areas, including Greek and Roman antiquities, European paintings, drawings, manuscripts, sculpture and decorative arts, and photographs gathered internationally. The Museum’s mission is to make the collection meaningful and attractive to a broad audience by presenting and interpreting the works of art through educational programs, special exhibitions, publications, conservation, and research.

 

Visiting the Getty Center

The Getty Center is open Tuesday through Friday and Sunday from 10 a.m. to 5:30 p.m., and Saturday from 10 a.m. to 9 p.m. It is closed Monday and major holidays. Admission to the Getty Center is always free. Parking is $15 per car, but reduced to $10 after 5pm on Saturdays and for evening events throughout the week. No reservation is required for parking or general admission. Reservations are required for event seating and groups of 15 or more. Please call (310) 440-7300 (English or Spanish) for reservations and information. The TTY line for callers who are deaf or hearing impaired is (310) 440-7305. The Getty Center is at 1200 Getty Center Drive, Los Angeles, California.

 

About Pacific Standard Time: Art in L.A., 1945–1980

Pacific Standard Time is a collaboration of more than sixty cultural institutions across Southern California, coming together for six months beginning in October 2011 to tell the story of the birth of the Los Angeles art scene and how it became a major new force in the art world. Each institution will make its own contribution to this grand-scale story of artistic innovation and social change, told through a multitude of simultaneous exhibitions and programs. Exploring and celebrating the significance of the crucial years after World War II through the tumultuous period of the 1960s and 70s, Pacific Standard Time encompasses developments from L.A. Pop to post-minimalism; from modernist architecture and design to multi-media installations; from the films of the African-American L.A. Rebellion to the feminist activities of the Woman’s Building; from ceramics to Chicano performance art; and from Japanese-American design to the pioneering work of artists’ collectives. Initiated through $10 million in grants from the Getty Foundation, Pacific Standard Time involves cultural institutions of every size and character across Southern California, from Greater Los Angeles to San Diego and Santa Barbara to Palm Springs. Pacific Standard Time is an initiative of the Getty. The presenting sponsor is Bank of America.

 

Additional information is available here.

Sign up for e-Getty at www.getty.edu/subscribe to receive free monthly highlights of events at the Getty Center and the Getty Villa via e-mail, or visit www.getty.edu for a complete calendar of public programs.

 

 

 

 

She’s back! Love, Connie at Celebration

The hilarious hit drag-show-meets-noir-drama Love, Connie is back — for six weekend shows only! — and for those who have seen it before, much like Bladerunner, this is the new ‘Final Version’ including additional back-story via voiceover (credit to Zeb!), some new images, some mind-boggling switcheroos, exciting new choreography plus an all-new Vickie!!

The cast will be doing a meet and greet party following the show, and I just know Connie would love to see you!

 

Storyline:

Connie Slocum (John Cantwell) is a loveable, albeit hirsute, ramshackle flashdancer who wants nothing more than to entertain an audience with her wild choreography and pageantry skills. But a nemesis from Connie’s past threatens to derail her plans by putting her beloved white pussycat, Vickie, in jeopardy.

Watch Connie as she boogies to pop hits, strips off an array of spectacular outfits, laughs, cries, hunts and fights harder than a baby sitter in a ’70′s-era slasher film! All while never forgetting that there’s an audience to entertain and a purring feline she loves more than life itself!

 

Go here if you’d like to read my previous review, in all its glorious detail!

 

 

 

Love, Connie

CT AFTER DARK

Celebration Theatre

7051 Santa Monica Blvd

Los Angeles, CA

 

Performances:

Fridays & Saturdays at 22:30pm

 

Runs until December 17, 2011

 

TICKETS:

$15 in advance / $20 at the door

 

Purchase online here.

 

Join the Party after every Performance!!

 

 

Tonight and tomorrow — India Jazz Suites

A unique and electrifying collaboration between traditional Indian dance (Kathak) and Tap dance set to Jazz music, India Jazz Suites tears up the floor tonight and tomorrow evening, only.

Chitresh Das Dance Company’s Founder and Artistic Director, Chitresh Das, India’s foremost Kathak dance master and a National Heritage Fellow, teams up with one of the world’s fastest tap dancers, Emmy Award winner Jason Samuels Smith for India Jazz Suites, an explosive collaboration that crosses all boundaries of age, race and culture.  Das and Smith use rhythm and improvisation, to create high entertainment blast of incredible speed and power, grace and beauty, epic storytelling and the pure joy of dance. The performance, presented by the Carpenter Performing Arts Center tonight – Friday –and Saturday, October 22 at 8:00 p.m., at the Martha B. Knoebel Dance Theater in Long Beach, launches India Jazz Suites’ seventh international tour across 11 cities in the United States and Canada.

India Jazz Suites has become an international sensation since it first premiered in San Francisco in 2005.  This production is an energetic collaboration. Rather than fusing the art forms of Kathak and Tap, each artist, as masters of their own forms, uses the common ground of footwork (at break-neck speeds or slowly with great finesse), rhythm, improvisation, and movement to explore and shed new light on the Kathak and Tap traditions, engaging in a kinetic dialogue.

Sections in the show will highlight the unique approach that Kathak and Tap have to footwork and rhythm, to spoken word within the dance forms (the recitation of the ancient North Indian classical rhythmic language and the contemporary form of rap), as well as the distinct percussive traditions associated with both dance forms (on Tabla and Jazz drums). Das also performs his innovation Kathak Yoga, in which he simultaneously sings, plays Tabla and performs complex footwork at incredible speeds. India Jazz Suites features some of the world’s finest Indian classical and Jazz musicians: Debashish Sarkar (Vocals), Jayanta Banerjee (Sitar), Biplap Bhattacharya (Tabla), Theo Hill (Piano), Rashaan Carter (Bass), and Channing Cook Holmes (Drums).

The program opens with members of the critically-acclaimed Chitresh Das Dance CompanyRachna Nivas, Anjali Nath and Rina Mehta – performing Tarana, a piece that characterizes the pure dance energy of Kathak, Das’ dynamic choreography and CDDC members’ exceptional ability.

India Jazz Suites

The Martha B. Knoebel Dance Theatre at the Carpenter Performing Arts Center

6200 Atherton Street,

Long Beach, CA 90815.

Parking is available in lot 12 in front of the Carpenter Center.

The Theater is located on Atherton Street between Bellflower Blvd. and Palo Verde Avenue.    

Performances:                     

Friday and Saturday, October 21 & 22, 2011 at 8:00 p.m.

TICKETS:      $28.00

BOOKING INFO:     (562) 985-7000, or visit their official sites, here and here.

 

Glorya Kaufman Presents Dance at the Music Center

Glorya Kaufman Presents Dance at the Music Center announces the eighth season of this international dance series.  Seven companies representing the United States, Spain, Brazil, the Netherlands, and Cuba, will participate in 32 performances at the Dorothy Chandler Pavilion and Ahmanson Theatre, in a season that is the largest and most culturally diverse in the history of the series.

The season begins with Corella Ballet Castilla y León (November 5-7, 2010) at the Ahmanson Theatre, followed by Grupo Corpo (January 28-30, 2011), Nederlands Dans Theater (March 23-24, 2011), Alvin Ailey American Dance Theater (April 8-17, 2011), in a ten performance engagement, Mark Morris Dance Group (May 5-10,2011) performing L’Allegro, il Penseroso ed il Moderato presented in an artistic collaboration with LA Opera, Ballet Nacional de Cuba (June 23-26, 2011) performing Don Quixote, and American Ballet Theatre (July 14-17, 2011), performing The Bright Stream, by its Artist in Residence, Alexei Ratmansky, all at the Dorothy Chandler Pavilion.

To receive season ticket information, please call (213) 972-0711 or visit the official site.

Renae Williams Niles, Director of Dance Presentations said, “This is definitely a season of many firsts including the Center debuts of Angel’s Corella Ballet Castilla y León, Grupo Corpo and Ballet Nacional de Cuba, which I hope reflects the continued growth of the series. It is with Glorya Kaufman’s significant support and the ongoing commitment of the Center’s board and our many dance donors, this season is possible.

I am overjoyed to be collaborating for the first time with the LA Opera for a landmark masterwork by Mark Morris. A dance piece set to a concert work by George Frideric Handel for soloists, chorus and orchestra, L’Allegro, Il Penseroso ed il Moderato will feature the Los Angeles Opera Orchestra and Chorus as well as a quartet of world-class singers: sopranos Hei-Kyung Hong and Sarah Coburn, tenor Barry Banks and bass-baritone John Relyea. The season will conclude with American Ballet Theatre’s eighteenth appearance at the Music Center and I’m ecstatic to present a work by Alexei Ratmansky the company’s Artist in Residence.  He joined ABT in January of last year, after leaving the Bolshoi Ballet as its artistic director.

This season also includes the return of Alvin Ailey American Dance Theater.  Every time we present Ailey we have played to larger audiences clamoring for more, so this season we will offer one more program than we have had previously, and will have performances over two weekends.

This will also be Ailey’s final appearance in Los Angeles under the esteemed direction of Judith Jamison.  Just a couple of weeks ago, the company announced Robert Battle as the Artistic Director Designate and he will assume the Artistic Director position on July 1, 2011; at that time Ms. Jamison will assume Emerita status and I am sure will continue to play a significant leadership role in the dance world.”

About the 2010-2011 Glorya Kaufman Presents Dance at the Music Center Season

The season begins in the Ahmanson Theatre with Spain’s only classical ballet company, Corella Ballet Castilla y León November 5, 6, and 7, 2010.  This two-year old company, lead by premiere dancer Angel Corella, will make its first West Coast appearance in the Dance at the Music Center series.  The company first began with a rehearsal process on April 1, 2008, in response to Corella’s aspiration to provide professional careers for classical dancers in Spain. Corella also wanted to provide a way for Spanish born dancers to be able to stay in Spain and prevent them from having to leave the country to further their careers, as he and many others have done for the past 20 years. Corella Ballet Castilla y León offers a wide repertoire, incorporating classical, neoclassical and contemporary choreography, and is the only classical ballet company in Spain.

The balance of the season will be performed at the Dorothy Chandler Pavilion, beginning with the contemporary Brazilian dance company, Grupo Corpo, January 28, 29 and 30, 2011.  Founded in 1975, this company combines classical technique with a contemporary re-reading of popular Brazilian dance forms – challenging audiences’ perceptions of ballet and modern dance.

Nederlands Dans Theater, under the artistic direction of Jim Vincent, will perform March 23 and 24.

Since its inception in 1959, more than half a century ago, Nederlands Dans Theater (NDT) has been among the most prominent and innovative contemporary dance companies in the world. NDT’s dancers display virtuosity and unparalleled expression while performing a challenging repertoire; the company performs much-praised works by house choreographers Jiří Kylián and Lightfoot León, as well as new creations by established choreographers and upcoming talent from inside and outside the company.

Jim Vincent danced for NDT from 1978 to 1990.  After working in Europe for ten years, Vincent became artistic director of Hubbard Street Dance Chicago, returning to NDT in 2009 as artistic director.

Alvin Ailey American Dance Theater is one of the most popular dance companies to regularly perform in this series.  To satisfy the demand for tickets and programming, the company will have four different programs, over ten performances this season from April 8 to 17, 2011 at the Pavilion.

Recognized by U.S. Congressional resolution as a vital American “Cultural Ambassador to the World,” the Company has performed for an estimated 23 million people in 48 states and in 71 countries on six continents, celebrating the uniqueness of the African-American cultural experience and the preservation and enrichment of the American modern dance tradition.  The Ailey Company is home to some of the most glorious dancers, virtuosic talent, and beloved dance works in the world.  In addition to premieres and new productions, the performances will celebrate 50 years of Revelations, an enduring classic and a “must-see” for all people that has inspired more audiences around the globe than any other modern dance.

For the first time since October 2007, Mark Morris Dance Group returns to the series in an artistic collaboration with LA Opera with the landmark work L’Allegro, il Penseroso ed il Moderato, choreographed by Mark Morris to the music of George Frideric Handel, performed May 5-10, 2011. The score will be performed by internationally acclaimed vocal soloists as well as the Los Angeles Opera Orchestra and Chorus.

L’Allegro, il Penseroso ed il Moderato was Mark Morris’s premiere dance as Director of Dance at the Théâtre Royal de la Monnaie in Brussels, Belgium, where the company was in residence for three years.  Writing about the work in 2005, John Rockwell in the New York Times said, “When it was born in 1988, it was recognized as Mark Morris’ masterpiece.  Seventeen years later, it still is, by pretty much everybody … ‘a ‘Nutcracker’ for adults or a ‘Messiah’ for the secular…  Anyone who cares about dance, or wants to see one of the cornerstones of late-20th century choreography, or just wants to be wafted on a wave of musical and terpsichorean beauty, should try to get a ticket. One thing that makes it so beguiling is its range of images and emotions, the way it captures all of human feeling and an entire social order in a pastoral setting.  Here, Morris makes magic.  Go see for yourself.”

To date, it has been performed at 21 venues in 18 cities and nine countries on three continents. This summer, performances of L’Allegro at the Mostly Mozart Festival at Lincoln Center will kick off Mark Morris Dance Group’s 30th Anniversary season.  The scenery for L’Allegro, il Penseroso ed il Moderato is by Adrianne Lobel, costumes are by Christine Van Loon, and lighting is by James F. Ingalls.

Ballet Nacional de Cuba will bring their critically acclaimed Don Quixote, with live music performed by the LA Opera Orchestra, to the Dorothy Chandler Pavilion June 23 to 26.  Formed in 1948 by Alicia Alonso, the company occupies a prominent place in Hispanic and international ballet culture. This tiny island has produced one of the foremost schools of ballet, training all the remarkable dancers of the company. It is extraordinary that Alonso produced this quality in only sixty-two years.

Alonso premiered this version of Don Quixote in 1988, after studying the staging of other companies and being inspired by this masterpiece of Spanish literature. Alonso also brought to Don Quixote her influences from her history with American Ballet Theatre, where she was a prima ballerina from 1943 until she formed Ballet Nacional de Cuba, as well as the influences of George Balanchine (Theme and Variations was originally set on her.)

Anna Kisselgoff in the New York Times said, “Those looking for passion, Latin or otherwise, will find it – but most of all they will see the classical dancing, even academic precision … this Don Quixote is typical of the company because it filled with dramatic motivation … the production keeps the standard choreography in the set pieces, but much of the ensemble choreography is new and more classical.”

Recognized as one of the great dance companies in the world, American Ballet Theatre, under the Artistic Direction of Kevin McKenzie, will give five performances of Alexei Ratmansky’s The Bright Stream.  Set to the music of Dmitri Shostakovich, Ratmansky’s production received its World Premiere by the Bolshoi Ballet in 2003.

A comic ballet in two acts, The Bright Stream tells the story of the members of a Russian farm collective in the 1930’s and their humorous interactions with a group of visiting performers during the harvest festival.  The original production of The Bright Stream, choreographed by Fyodor Lopukhov, was first performed in 1935 in Leningrad.  The ballet will be given its ABT Company Premiere on January 21, 2011 at the Kennedy Center for the Performing Arts in Washington.

Single tickets and flex series will become available on August 1, 2010. Visit their official site for more information.

 

Music Center – Performing Arts Center of Los Angeles County is one of the largest and most highly regarded performing arts centers in the United States. Every year, almost 2 million people visit its four main venues — Dorothy Chandler Pavilion, Ahmanson Theatre, Mark Taper Forum, and Walt Disney Concert Hall — along with its vibrant collection of outdoor theatres, plazas, and gardens. The Music Center produces a variety of programming including Glorya Kaufman Presents Dance at the Music Center, Active Arts at the Music Center, and The Blue Ribbon Presents Global Pop, along with programming for children and families throughout the year.  The Center also provides extensive services and leadership in support of K-12 arts education, and offers tours of all four venues.   The Music Center is home to four internationally acclaimed resident companies: Los Angeles Philharmonic, Center Theatre Group, LA Opera and Los Angeles Master Chorale.

 

 

World Festival of Sacred Music — Oct 1-16


The Fifth World Festival of Sacred Music (WFSM) will feature an astonishing 832 Artists who will be performing in thirty-two events devoted to sacred music and dance. The Festival’s intention is to promote Peace, Tolerance and Universal Responsibility.

With the success of four previous Festivals (1999, 2002, 2005, 2008), the 2011 World Festival of Sacred Music (WFSM) has established itself as one of the premiere arts festivals of Los Angeles.

For 16 days and nights from October 1 through 16, 2011, WFSM will fill L.A.’s historic theaters, churches, temples and public spaces with thirty-two performances featuring local and international artists with disciplines ranging from sacred traditional music to contemporary dance.  Of the artists and groups performing, about half are making their festival debut.  For more information on WFSM, please visit their official site.

The Festival program reflects concerns of peace, unity and environmental stewardship.   The opening event, Honoring the Sea, on Saturday, October 1 at Santa Monica Beach, is a WFSM tradition that celebrates the shared resource of our oceans and importance of its spiritual meaning.  The gala concert, Water Is Rising, on Saturday, October 15 at Royce Hall at UCLA, presents performances from three Pacific Island nations (Kiribati, Tokelau, Tuvalu) that are threatened by the advance of global warming.

The 1999 WFSM was initiated by His Holiness the Dalai Lama to mark the millennium with peace, cultural understanding and tolerance.  Since its inception, the Festival has continued to promote intercultural and interfaith exchange among the diverse communities of Los Angeles, providing an opportunity for people to come together and build meaningful relationships.

 

“This year’s festival makes the natural step to expand on our theme of peace, tolerance and universal responsibility,” said Festival Director Judy Mitoma.  “We expand our theme to include our concern for the environment.  Without better stewardship of our planet, there will be no peace on earth.  People are being displaced and cultures will be lost.  All of this year’s Festival artists are committed to the international call to action.”

“Honoring the Sea” and “Water is Rising” events will bookend the Festival.

 

WFSM Opening – Honoring the Sea:

In partnership with the City of Santa Monica and Heal the Bay, over three hundred artists present sacred traditions from seven lineages of world cultures on Santa Monica Beach (at Dorothy Green Park), Saturday, October 1 at 3:00 pm.

The opening procession includes La Canada High School Marching Band; Palau Keali’i O Nalani and Halau O Lilinoe; Swing Brazil Tribe with Viver Brasil, Capoeira Batuque, Seara de Caridade do Cabolo Tupinamba and the Elders of the Diaspora; Senshin Buddhist Temple’s Kinnara Taiko; Agape Choir; and Remo Drum Circle.  Playing a central role is the Ti’at Society as they paddle their traditional canoe beyond the ocean’s breakwaters carrying offerings and sacred blessings to the four corners of the Earth.  This event is free to the public.

 

WFSM Closing – Water is Rising:

Water is Rising brings together 36 artists from the smallest countries in the world (Kiribati-pop.100,000; Tokelau-pop. 1,500; Tuvalu-pop. 12,000) for the first time in the U.S. on Saturday, October 15 at UCLA Royce Hall.  As highlighted in the Copenhagen UN Climate Change Conference of 2009, these Pacific atolls are at the front lines of global warming. With elevations of only 3-5 meters above the sea, they risk becoming the first cultures on earth to be submerged by rising sea levels.

The groups present a program of new songs and dances that express their deep connections to nature, their ancestral past, their feelings about global warming, and the desire that the world not overlook them.  The beauty, vitality and joy of their performance conveys a message of hope and faith for the future despite their concerns about global warming.  The use of projections (with English supertitles) will provide images of their way of life, family, church, the ocean and the lagoon.  The performance is meant to inspire audience and artists alike to be better stewards of our shared planet.

This is a ticketed Event.

 

Water is Rising, three years in the making, is curated by Judy Mitoma, Director, UCLA Center for Intercultural Performance and UCLA Emeritus Professor of the World Arts and Cultures Department.  After the world premiere performance at Royce Hall, this project will proceed on a 14-city tour of the U.S.  A project of UCLA Center for Intercultural Performance in collaboration with the Foundation for World Arts and EarthWays Foundation, Water is Rising is presented in partnership with the UCLA Institute of the Environment and Sustainability.  Joining science, environmental studies, Pacific Island studies and performance, artists will conduct over 40 educational and outreach programs for all ages – K-12, university students, and adults.  For more information on Water is Rising, the countries represented and issues related to climate changes, please visit their official site.

Themes of peace, tolerance and universal responsibility are reinforced and echoed throughout the Festival’s events: Mare Vaporum, Sea of Vapor (Japanese American Cultural and Community Center, Oct. 16) features Zen Archer Hirokazu Kosaka along with Butoh dancer Oguri and the Colburn School’s Trudl Zipper Dance Institute as they celebrate the harvest moon with traditional Japanese purification rites; Groundswell (Ballona Freshwater Marsh, Oct. 8), a site-specific piece, choreographed by Kristen Smiarowski and composed by Robert Een, celebrates the Ballona wetlands; Ornament of the World (St. John’s Episcopal Church, Oct. 13), performed by soprano trio Voxfire and Arabic ensemble Kan Zaman, celebrates the song traditions of Muslim, Jewish and Christian communities of Medieval Spain; Sira (Théâtre Raymond Kabbaz, Oct. 14) unites Senegalese singer/kora player Albee Cissoko and German trumpeter Volker Goetze in a performance born out of mutual respect and admiration despite cultural barriers.

Returning to the festival are: Halau Keali’i O Nalani (Santa Monica Beach, Oct. 1), Agape Choir (Santa Monica Beach, Oct. 1), The Yuval Ron Ensemble (The Broad Stage, Oct. 2), Los Angeles Electric 8 (LACMA, Oct. 2), Halau O Lilinoe a me Na Pua Me Kealoha (Santa Monica Beach, Oct. 1; Autry National Center, Oct. 8), Gamelan Sekar Jaya (The Luckman Fine Arts Complex, Oct. 8), Lesa Terry (Nate Holden Performing Arts Center, Oct. 9), Arohi Ensemble (First United Methodist Church of Santa Monica, Oct. 14) and T’iat Society (Santa Monica Beach, Oct. 1; CSULB, Oct. 16).

Festival Highlights (listed by event date):

 

The Soul of Spain – The Yuval Ron Ensemble presents an evening of music and dance that connects the Gypsy and Sephardic Jewish traditions of Andalusia, Spain to the Arabic Middle East.  Featuring vocalist Jesús Montoya; flamenco dancer Briseyda Zarate; and Japanese flamenco guitarist José Tanaka.  Sunday, October 2 at 7:30 pm. The Broad Stage, Santa Monica. Ticketed event.

Deep Listening- This collaborative project features flutist Suzanne Teng; percussionist Gilbert Levy; Mystic Journey; guitarist Rob Levit; and Javanese vocalist Emiko Saraswati Susilo in a program of Asian, Middle-Eastern and African fusion.  Wednesday, October 4 at 7:30 pm. Wayfarers Chapel, Rancho Palos Verdes.  Ticketed event.

Groundswell – Choreographer Kristen Smiarowski and composer Robert Een lead a large cast of dancers, instrumentalists and vocalists in a site-specific piece that celebrates the Ballona wetlands.  Saturday, October 8 at 7:00 am and 8:00 am, Ballona Freshwater Marsh, Playa del Rey. Free event.

Mebarung – Cal Arts’ Gamelan Burat Wangi and Bay Area’s Gamelan Sekar Jaya showcase their most virtuosic works, illustrating the spiritual and sublime source of Balinese arts.  Saturday, October 8 at 8:00 pm.  The Luckman Fine Arts Complex, Los Angeles.  Free event.

Emerging Voices – Violinist and educator, Lesa Terry, brings together young string players, dancers, singers and spoken word artists from the South Central Los Angeles communities.  Sunday, October 9 at 4:00 pm.  Nate Holden Performing Arts Center, Los Angeles.  Ticketed event.

Ornament of the World – Soprano trio Voxfire and Arabic ensemble Kan Zaman celebrate the song traditions of Muslim, Jewish and Christian communities of Medieval Spain.  Thursday, October 13 at 8:00 pm.  St. John’s Episcopal Cathedral, Los Angeles. Ticketed event.

Sira – Senegalese singer/kora player Ablaye Cissoko and German trumpeter Volker Goetze unite in a performance born out of mutual respect and admiration despite cultural barriers.  Friday, October 14 at 7:30 pm.  Théâtre Raymond Kabbaz, Los Angeles.  Ticketed event.

Mare Vaporum, Sea of Vapor – Zen Archer Hirokazu Kosaka along with Butoh dancer Oguri and the Colburn School’s Trudl Zipper Dance Institute celebrate the harvest moon with traditional Japanese purification rites.   Sunday, October 16 at 8:00 pm.  Japanese American Cultural and Community Center, Los Angeles.  Ticketed event.

 

Additional Events (listed by date):

 

Heidi Duckler Dance Theatre and Djanbazian Dance Company perform Expulsion, a site-specific modern interpretation of the biblical story of Cain and Abel.  (Oct. 1 & 2 at 6:00 pm.  Vacant Lot, 175 N. Brand Blvd., Glendale)  Free event.

Kitka Women’s Vocal Ensemble and soprano Tzvetanka Varimezova perform together inSanctuary as they sing traditional and contemporary works from the Eastern Orthodox, Jewish, and Islamic cultures of Eastern Europe.  (Oct. 1 at 8:00 pm.  First Lutheran Church of Venice, Venice) Donation.

“The Queen of Gypsy Music” Esma Redžepova makes a rare U.S. appearance sharing songs and stories about Roma culture and the universal pain of unrequited love.  (Oct. 1 at 8:00 pm.  The Luckman Fine Arts Complex, Los Angeles)  Ticketed event.

Tanbur legend Ali Akbar Moradi performs Kurdish Music of Pre-Islamic Yarsan, demonstrating the unending beauty of ancient Persia.  (Oct. 2 at 4:00 pm.  St. James Presbyterian Church, Tarzana)  Donation.

Electric guitar octet Los Angeles Electric 8 welcomes Javanese vocalist Peni Candra Rini for her U.S. debut in a performance that highlights 20th century American composers whose works were inspired by Indonesia.  (Oct. 2 at 6:00 pm.  LACMA Bing Theater, Los Angeles) Free event.

Virtuoso Pandit Hariprasad Chaurasia performs an evening of music, Sacred Traditions, on one of the world’s most ancient instruments – the North Indian bansuri flute.  (Oct. 2 at 8:00 pm.  Skirball Cultural Center, Los Angeles) Ticketedevent.

Omo Aché Afro-Cuban Music & Dance Co. brings to life the beliefs of the Yoruba, Arará and Congo religions of Cuba through sound and movement associated with the spirit world.  (Oct. 6 at 6:00 pm.  UCLA Fowler Museum, Los Angeles)  Free event.

Samba Society explores the interplay between rural and urban; music and dance; and sacred and secular practices that lie at the heart of Brazilian samba culture entitled Partido Alto-Astral: An Evening of Spiritual Sambas.  (Oct. 6 at 8:00 pm.  Madrid Theatre, Canoga Park)  Ticketed event.

With Native American world flutes and antique Tibetan singing bowls, Ann Licater and Hans of 33 Bowls provide a contemplative soundscape for self reflection entitled Sacred Sounds.  (Oct. 7 at 7:30 pm.  The Los Angeles Art of Living Center, Los Angeles) Donation.

The award-winning Halau O Lilinoe shares the rich culture of Hawaii with performances of ancient chants and an interactive workshop on lei making and basic hula.  (Oct. 8 at 1:00 pm.  Autry National Center, Los Angeles) Ticketedevent.

Guitarist Cristian Amigo leads improvisational group Surrealestate in Right Here, Right Now, apiece that encompasses multiple artistic and cultural perspectives, overlapping planes of time and space.  (Oct. 8 at 2:00 pm.  Inner City Arts, Los Angeles)  Free event.

 

Pasadena-based Makoto Taiko presents an evening of traditional Japanese music with large taiko drums, fue (flute) and koto (plucked strings).  (Oct. 8 at 5:00 pm.  The Luckman Fine Arts Complex, Los Angeles)  Free event.

Sampurna: The Full Circlefeatures vocalist Aditya Prakash and progressive group Le J Trio as they fuse South Indian classical music and jazz.  Also featured are North Indian veena virtuoso Suman Laha and tabla master Abhiman Kaushal.  (Oct. 9 at 3:00 pm.  Brand Library & Art Center, Glendale) Free event.

The Choir of St. James and organist Alan Morrison invite the public to hear the musical expression of their Anglican worship entitledEvensong.  (Oct. 9 at 4:30 pm.  St. James Church, Los Angeles)  Free event.

Mamak Khadem Ensemble performs songs inspired by the poetry of Rumi and Sohrab Sepehri, calling upon the sacred Persian traditions of meditation, chant and call-and-response.  (Oct. 9 at 6:00 pm.  First Baptist Church of Glendale, Glendale)  Ticketed event.

South Pacific fusion ensemble Te Vaka delivers a kaleidoscopic array of Pacific flavors in a genre of its own.  (Oct. 9 at 7:00 pm.

Santa Clarita Performing Arts Center at College of the Canyons, Santa Clarita)  Free event.

Aga Khan Council for the Western United States presents documentaryfilm Sufi Soul, the Mystic Music of Islam with a post-discussion led by Dr. Hussein Rashid.  (Oct. 11 at 7:00 pm.  Skirball Cultural Center, Los Angeles)  Free event.

Sitar player Paul Livingstone and Arohi Ensemble join organist Christoph Bull for traditional and contemporary improvisations from India and Europe entitled Bridges: Structure and Improvisation from East and West.  (Oct. 14 at 8:00 pm.  First United Methodist Church of Santa Monica, Santa Monica)  Donation.

The Ti’at Society leadsprayerful offerings of song and dance at the sacred grounds of Puvungna – the place of creation and emergence of the Tongva people.  (Oct. 16 at 10:00 am.  Cal State Long Beach, Long Beach)  Free event.

Together for the first time, Tibetan singer Karjam Saeji and Tibetan Dance and Opera Company Chaksam-pa share their musical traditions.  (Oct. 16 at 2:00 pm.  Eagle Rock Center for the Arts, Los Angeles)  Free event.

Beth Shir Shalom’s resident band The TishTones and Orange County gospel group The Sylvia Cotton Singers juxtapose Jewish klezmer and Christian spirituals.  (Oct. 16 at 3:00 pm.  Beth Shir Shalom, Santa Monica)  Ticketed event.

Tabla player Javad Ali Butah and Kathak dancer Rina Mehta join together in celebration of the dance and music traditions of North India.  (Oct. 16 at 5:00 pm.  Barnsdall Art Park, Los Angeles)  Ticketed event.

 

More about the 2011 World Festival of Sacred Music

 

The 2011 World Festival of Sacred Music is a project of Foundation for World Arts and UCLA Center for Intercultural Performance. This event would not have been made possible without generous contributions from: The James Irvine Foundation; Ford Foundation; National Endowment for the Arts; Department of Cultural Affairs, City of Los Angeles; Los Angeles County Arts Commission; City of Santa Monica, Cultural Affairs Division; His Highness Prince Aga Khan Shia Imami Ismaili Council for the Western United States; Heal the Bay; and EarthWays Foundation.  The Festival is also made possible through the shared commitment of those who contribute by their in-kind assistance.  Artists, organizers, and the audience realize the community-building intention of the Festival through their participation.

 

 

Photo Credits: “courtesy of the 2011 World Festival of Sacred Music”

 

 

For more information and a complete list of events visit their official site.