Philip Seymour Hoffman delivers yet another consummate performance in A Late Quartet, a flawed film by first time feature director, Yaron Zilberman. Hoffman and Imogen Poots, riveting at times as his free-spirited...
Within the enormous soundstage is a vast icy wasteland. A large snow vehicle is overturned and a submarine’s conning tower, sporting the red and white Umbrella Corporation symbol, has breached the ice floes. The air is...
The Los Angeles Irish Film Festival launches this week, on Wednesday, September 26th, 2012, at the Academy’s Linwood Dunn Theatre in Hollywood with a screening of Jump, by director Kieron J. Walsh. Pre-screening...
As the first group exhibition introducing the wide-ranging work of South Korean political art to an American audience, Being Political Popular: South Korean Art at the Intersection of Popular Culture and Democracy, 1980...
When I first heard about Paul Thomas Anderson’s new film – word was that it was about a Scientology-type leader and a drifter who becomes attached to him – I assumed Anderson’s focus would be on cult and power...