Archive for Fine Arts

‘Femme Fatale’ — group exhibition at Cella Gallery

image by Edith Lebeau.

Cella Gallery is pleased to present Femme Fatale, a group exhibition featuring the works of over 35 innovative artists handpicked by curators  Nicole Bruckman and Stephanie Chefas.

An archetype in history and art, the ‘femme fatale’ is a timeless figure whose mysterious beauty has inspired artists for generations. Although this seductive character is constantly evolving to represent the social views of the times, she remains a symbol of female independence and a welcomed challenge to traditional gender roles.

Femme Fatale gathers some of the most powerful contemporary artists whose inherent aesthetic is heavily influenced by the beauty of the female figure. The exhibition explores how individual perceptions of feminine allure can be expressed through each artist’s specific genre. Expect to be seduced, ensnared and dangerously dazzled as though in the crosshairs of a ‘femme fatale’ herself.

Participating artists include:

Aaron Nagel, Apricot Mantle, Anna Chung, Aunia Kahn, Casey Weldon, Cate Rangel, Charles Ketcham, Chris Peters, Christopher Umana, Cristina Paulos, Chrystal Chan, David Bray, Dave MacDowell, Delphia, Douglas Alvarez, Edith Lebeau, Gail Potocki, Jason Rudulph Pena, JAW Cooper, Jeff Ramirez, Jessica Ward, JoKa, Jose Carabes, Ken Garduno, Korin Faught, Kris Moore, L.Croskey, Lily Mae Martin, Linnea Strid, Morgan Slade, Nicole Bruckman, Nom Kinnear King, Paul Chatem, Sara Haase, Sarah Folkman, Stella Im Hultberg, Ted von Heiland and THH70.

 

The opening reception for Femme Fatale is taking place this coming Saturday, February 25, 2012 from 7-11pm, at Cella Gallery in NoHo.

The reception is open to the public, and the exhibition will be on view through March 17th, 2012.

About the Curators:

Upon receiving her B.F.A. in illustration from Columbus College of Art & Design, Nicole Bruckman began working as a freelance illustrator, which eventually led to exhibiting with Cannibal Flower, La Luz de Jesus, WWA Gallery and Gallery 1988. Along with her artwork, Nicole has co-curated exhibitions featuring numerous artists including Ben Kehoe, Dan May, Lindsey Carr, Kozyndan and Tim Biskup.

Stephanie Chefas is founder and curator of the art website Platinum Cheese as well as an online contributor to the highly regarded New Contemporary Art Magazine, Hi-Fructose. In addition to her online ventures, Stephanie has co-curated several exhibitions featuring numerous contemporary artists such as Annie Owens, David Ball, Jim Darling, Julian Callos and Mario Wagner.

 

Aaron Nagel, "Drift", 38" x 32", Oil on Canvas

 

Femme Fatale

Group Exhibition curated by Nicole Bruckman and Stephanie Chefas

FREE Opening Reception, with some Artists in attendance.

Cella Gallery

11135 Weddington St. #112,

North Hollywood, CA 91601

 

When: 

Saturday, February 25, 2012

7-11 pm

 

Exhibition runs:

February 25th – March 17, 2012

 

 

Cella Gallery is a contemporary fine art gallery that has been on the forefront of emerging art in the Los Angeles area since 2008.

 

 

Discover the Arts in Los Angeles

Discover the Arts in Los Angeles, the longest running and largest arts campaign in the City, launched its three-month campaign with a lively press conference, held Tuesday on the steps of Music Center’s iconic Walt Disney Concert Hall.

The Honorable Mayor Antonio Villaraigosa spoke about the importance of the arts to LA’s cultural and economic life at Los Angeles Arts Month’s launch celebration.

Now in its fourth year, this three month-long, LA-based Arts festival – the Wells Fargo-sponsored Discover the Arts program – offers huge discounts of up to 50% off on museum admissions, gift store items and more at 50 cultural institutions across Los Angeles. The City’s longest and largest arts campaign is designed to make the arts accessible to all.

Mayor Villaraigosa enthusiastically kicked off the festival, asking the assembled audience of press and arts aficionadi, “Where do you find the soul of a city?” then immediately and poetically answering it with, “In the words of its writers and in the stanzas of its poets… in the singers and musicians… and the kaleidoscope brushstrokes of its artists. This is a city-wide celebration of our expansive and artistic soul.”

“Our city’s creativity also drives our city’s economy,” said Mayor Villaraigosa. “Each year, almost twenty-six million tourists visit L.A., and each year almost half of them have the time to visit and spend money in our theaters, museums, concert halls, and galleries.” Mayor Villaraigosa went on to add that those tourist visitors bring a staggering $115 billion in annual revenue to LA.

Councilmember Paul Krekorian spoke of LA as being “the most diverse big city of any on planet earth,” adding that “As a cradle of so much creativity and innovation, we’ve been a place that creates new things that they rest of the world follows. The Arts matter to this city and who we are as a city.”

“This is Wells Fargo’s fourth year partnering with LA INC. to present the Discover the Arts campaign to make the arts accessible to all,” said John Sotoodeh, Wells Fargo L.A. Metro/Orange County Regional Banking president. “The goal of Discover the Arts is to create greater awareness, appreciation and demand for arts and culture experiences among LA residents and visitors alike.”

A quintet of musicians from the Los Angeles Chamber Orchestra (LACO) performed live, as did the local band Ozomatli, who performed an animated but short set. A juvenile T-Rex from the Natural History Museum was also on hand to scare the Mayor.

The discounts run from now through April 30, 2012, and are expected to bring in hundreds of new visitors to museums and various events around town.

Participating institutions include the Museum of Tolerance, Cirque du Soleil, the L.A. Philharmonic, MOCA and the Natural History Museum.  (Full list below.)

 

Following the press conference, a select group was taken on a tour of the city’s historical El Pueblo de Los Angeles district, just north of Downtown LA.

Chinese American Museum (CAM)

Symbolically housed in the oldest and last surviving structure of Los Angeles’ original Chinatown, the 7,200 square foot Chinese American Museum (CAM) embodies both a cultural and physical link to the past and a promising point of entry for the city’s multicultural future.

Current exhibitions include Breaking Ground: Chinese American Architects in Los Angeles (1945-1980)  which showcases the architectural achievements of four pioneering Chinese American architects whose contributions were critical to the development of Los Angeles’ urban and visual landscape between 1945 and 1980.

Thoughtfully curated by Long (Michael) Truong, the exhibit focuses on the lives and work of Eugene K. Choy, Gilbert Leong, Helen Liu Fong, and Gin Wong, architects who played pivotal roles in the development of Mid-Century Modern and Googie Architecture movements unique to California’s Post-War architectural renaissance.

Breaking Ground is part of Pacific Standard Time. This unprecedented collaboration, initiated by the Getty Foundation, brings together more than sixty cultural institutions from across Southern California for six months beginning October 2011 to tell the story of the birth of the L.A. art scene. Pacific Standard Time is an initiative of the Getty. The presenting sponsor is Bank of America.

Additional funding is provided by the MetLife Foundation’s Museum and Community Connections program.

Firehouse No. 1

Did you know the very first fire station in Los Angeles is still standing?!

The Plaza Firehouse was the first building in the city designed to house fire fighting crews and their equipment.  The architect was William Boring of Boring and Haas, and the contractor was Denis Hennessy.  There is a small balcony on the Plaza façade, above which is a small, wood-shingled tower topped by a pole sporting a weather vane in the shape of a fire helmet.

A volunteer city Fire Department was formed in 1871.  The first occupants of the Firehouse when it was built in 1884 were called the Volunteer 38s (this being the number of men in Engine Company No 1.)  Another volunteer company, Engine Company No. 2 was an arch rival.  Each company competed to be first at a fire.  Both were equipped with an Ahrens steam engine, paid for jointly by the City and the County of Los Angeles.

When the fire alarm sounded crew members slid down the brass pole from their quarters on the second floor, hooked up the horses, scrambled into their places and were off.  Upon their return, the fire engine was turned around 180 degrees on an ingenious turntable and the horses returned to their stalls.

Avila Adobe.

We took a tour of the oldest house still standing in Los Angeles, the Avila Adobe (ca. 1818).

The oldest building in the city, the adobe was the home of Don Francisco Avila, mayor (alcalde) of Los Angeles in 1810.  After his first wife died, Avila married Encarnacion Sepulveda in 1822.  He died ten years later.  In 1847, during the Mexican-American War, Commodore Robert Stockton commandeered the adobe for two weeks as his military headquarters.  The family moved away in 1868 and after that the adobe served as a restaurant and a boarding house.

By 1928 it had fallen into disrepair and was saved from demolition by influential socialite, Ms. Christine Sterling.  Now restored, the building depicts the Californio lifestyle of the 1840s prior to the American occupation.

We were also shown the site of an infamous mural that Ms. Christine Sterling commissioned and which is now in the process of being restored for public viewing just off Olvera Street.

In 1932, two years following the opening of Olvera Street, during his six-month stay in Los Angeles, prominent Mexican muralist David Alfaro Siqueiros painted a mural entitled América Tropical on the south wall of the Italian Hall where the Plaza Art Center was located.  The 18 x 80 foot masterpiece allegorically depicts the struggle of indigenous cultures against imperialism.

Its central figure is a crucified indigenous peasant tied to a double cross while an American eagle—a symbol of U.S. imperialism—perches menacingly above. In the background, a crumbling Mayan pyramid overrun by vegetation, signifies the destruction of indigenous cultures, as the figures of an armed Peruvian peasant and a Mexican farmer crouch on a wall, ready to defend themselves.

Highly controversial since its unveiling, América Tropical was entirely painted over with whitewash by 1938. A historic partnership between the City of Los Angeles and The Getty Museum will allow for the construction of a viewing platform and interpretive center so that the public may once again enjoy one of the city’s most-prized artistic treasures.

During conservation, a same size likeness of the mural is being displayed on a banner over the original and is visible from Olvera Street.

More information is available on the Siqueiros Mural Project here.

Institutions participating in Discover the Arts include the following:

Annenberg Space for Photography, the Aquarium of the Pacific, Autry National Center, California African American Museum, California Science Center, Center Theater Group, Chinese American Museum, Colburn School, Craft and Folk Art Museum, Fowler Museum at UCLA, Geffen Playhouse, Getty Center, Getty Villa, The GRAMMY Museum(R) at L.A. LIVE, Hammer Museum, Heritage Square Museum, Hollywood Museum, Huntington Library, Art Collections & Botanical Gardens, IRIS, a Journey Through the World of Cinema(TM) from Cirque du Soleil(R), Japanese American National Museum, LA Stage Alliance, LACMA, Los Angeles Chamber Orchestra, Los Angeles Conservancy, Los Angeles Master Chorale, Los Angeles Philharmonic, LA Opera, MAK Center for Art and Architecture, Museum of Contemporary Art, Los Angeles, Museum of Latin American Art, Los Angeles Museum of The Holocaust, Museum of Tolerance, Music Center, Natural History Museum of Los Angeles County, NOHO Arts District, Pacific Asia Museum, Page Museum at the La Brea Tar Pits, The Paley Center for Media, Pasadena Museum of California Art, Petersen Automotive Museum, REDCAT, Santa Monica Museum of Art, Skirball Cultural Center, The Ronald Reagan Presidential Foundation & Library, USC Fisher Museum of Art, Valley Performing Arts Center, Wells Fargo History Museum, Wende Museum & Archive of the Cold War, Zimmer Children’s Museum.

Beginning in February, when visitors book an overnight stay on hotels.com at participating Los Angeles hotels, they will receive a Discover the Arts discount voucher that will give them up to 50% off admission, gift store items and more at 50 cultural attractions across Los Angeles.

 

Discover the Arts discount cards can be found at Wells Fargo branches across Los Angeles, Ralphs locations across Southern California, Amtrak stations, Metro and Metrolink and also online here.

 

Discover The Arts in LA

Runs from February 1—April 30, 2012

Across Los Angeles.

For more information and a complete list and description of all participating venues and offers, visit the official site.

 

 

 

 

 

 

Jordan Vineyard & Winery announces 4 on 4 Art Competition

Jordan Chateau

Jordan Vineyard & Winery have announced their 4 on 4 Art Competition involving the Los Angeles Art Community.

A trio of Southern California artists is sought for a chance to win up to $5,000 in cash prizes.

In honor of its 40th anniversary in 2012, iconic California vintner Jordan Vineyard & Winery has created the 4 on 4 Art Competition, a four-city initiative that challenges local artists to create a commemorative work of art that blends the elegance of Jordan wines with the flavor of each city.

The 4 on 4 Los Angeles competition begins today with its call for entries, organized by LACE (Los Angeles Contemporary Exhibitions).

In the past three decades, the Jordans have commissioned artists to capture the beauty of the winery chateau through the seasons—its ivy-draped façade, window boxes sprouting spring flowers, the antique clock above a sweeping balcony. To celebrate a special dual anniversary this spring—both the founding of the winery and second-generation vintner John Jordan’s 40th birthday—Jordan Vineyard & Winery is bringing wine country to Southern California artists in their own backyard, challenging talented professionals to create a special work of art that combines the essence of Jordan with Los Angeles’s distinct flavors of culture, food and design.

“Los Angeles has held a special place in our hearts since the founding of the winery,” said John Jordan, chief executive officer and proprietor of Jordan Vineyard & Winery. “In the 1980s, my parents poured our wines at many high-profile events in Los Angeles, I went to college at Occidental and my sister Judy even hosted the national launch party for J sparkling in LA.”

A panel of expert judges—including Carol Stakenas, director of LACE, and noted critic and LA Canvas art editor Shana Nys Dambrot—will select the top three works of art that meet the competition criteria. The top three winners will receive cash prize awards: a grand award ($5,000), first runner-up ($2,000) and second runner-up ($1,000). In addition to cash prizes, winning artists will be featured in an art exhibition, publicity campaigns and Jordan 40th anniversary commemorative gifts. The winning work of art will be transformed into a limited-edition piece for Jordan’s Southern California customers.

The deadline for submissions for the Los Angeles competition is April 1, 2012, at 5 p.m. EST.

Artists must live and work in Los Angeles, Ventura, Orange, San Bernardino or Riverside counties to be eligible. For a complete list of competition guidelines, visit this site.

“We are delighted to participate in this celebratory event with Jordan Winery,” said Carol Stakenas, executive director of LACE. “The LA art scene’s international ascendancy and its contemporary artistic culture is a perfect match for this esteemed winery to commemorate its 40th anniversary.”

A collection of the top competition entries will be unveiled at 4 on 4 Top 40, a public exhibition and Jordan wine tasting event, which will be hosted in April at Black Cat Gallery, an up-and-coming gallery noted for its relationships with edgy Westside artists, such as Sandow Birk, Andy Moses, Terell Moore and James Mathers. A people’s choice award will also be given for the top artwork selected by event guests.

The 4 on 4 Top 40 event is complimentary and open to the public. Further exhibition details will be announced in February.

Timothy Williams, the director and artist-in-residence of Black Cat Gallery, adds: “As a space dedicated to young artists, we are pleased to work with Jordan to bring remuneration and recognition to the competing artists. Working with Jordan and LACE is a welcome step forward for Black Cat.”

For more information about the 4 on 4 Los Angeles Art Competition, please visit this page.

Some more information here.

 

ABOUT JORDAN VINEYARD & WINERY:

Inspired by the masterful wine, food and hospitality of France, Tom and Sally Jordan followed their hearts from Colorado to California’s bourgeoning wine country in 1972. That spring, they signed the deed on their first piece of land in Alexander Valley on the very same day their son, John, was born. They quickly planted their first vineyard with a vision for creating a singular Cabernet Sauvignon that could rival the finest wines of Bordeaux. When the first vintage of Jordan Cabernet Sauvignon debuted, it was an immediate success due to its elegance and early approachability, as well as its affinity for food. The Jordan family has spent the last four decades quietly building a reputation for relentless quality, graceful ageability and remarkable consistency vintage after vintage.

 

ABOUT LOS ANGELES CONTEMPORARY EXHIBITIONS:

LACE both champions and challenges the art of our time by fostering artists who innovate, explore, and risk. We move within and beyond our four walls to provide opportunities for diverse publics to engage deeply with contemporary art. In doing so, we further dialogue and participation between and among artists and those audiences.

 

Jordan Cabernet Sauvignon 2007

COMPETITION INFO:

4 on 4 Los Angeles Call for Artists:

Artists in four cities celebrating four decades of Jordan wine in their community.

The four cities include: Miami, New York, Los Angeles & Dallas.

  • Deadline for Los Angeles submissions: April 1, 2012
  • Must be an artist living and working in Los Angeles, Orange, Ventura, San Bernardino or Riverside counties

 

Grand Award: $5,000 and the opportunity to be featured in an art exhibition, publicity campaigns and Jordan 40th anniversary commemorative gifts. The winning work will be transformed into a limited-edition piece for Jordan’s loyal customers across Southern California.

First Runner-up: $2,000 and the opportunity to be featured in an art exhibition and post-event publicity.

Second Runner-up: $1,000 and the opportunity to be featured in an art exhibition and post-event publicity.

 

Artists and Jordan Vineyard & Winery: Since 1976, the Jordan family has been heralded for its elegant wines, culinary excellence and gracious hospitality. Over the years, the Jordans have commissioned artists to capture the beauty of the winery chateau through the seasons – its ivy-draped façade, window boxes sprouting spring flowers, the antique clock above a sweeping balcony. To celebrate its 40th anniversary in 2012, Jordan Vineyard & Winery is bringing wine country to Los Angeles artists in their own backyard, challenging these talented professionals to create a commemorative work of art that combines the essence of Jordan wine with Los Angeles’ distinct flavors of wine, food and design.

A panel of expert judges including Los Angeles Contemporary Exhibitions (LACE) director Carol Stakenas and noted art critic Shana Nys Dambrot, will select the top three works of art that meet the competition criteria. A top 40 will be selected to participate in a public exhibition presented by LACE at Black Cat Gallery in Culver City in April. The grand prize, first runner-up and second runner-up winners will be announced at this event and showcased at a private Jordan Winery event in Los Angeles later that month.

 

CRITERIA:

  • Applications must live and work in Los Angeles, Orange, Ventura, San Bernardino or Riverside counties.
  • Applicants must incorporate an element of Jordan Winery in their artwork. For a list of elements and download instructions, please visit the project webpage.
  • Applicants must incorporate an element of their local community in their artwork, such as Los Angeles architecture, landscapes or food culture.
  • Original artwork must be in a format that is reproducible in lithograph, such as paintings or drawings.
  • Winning artists agree to sign up to 200 limited-edition lithographs of their artwork in Los Angeles at a mutually agreed upon date in summer or fall 2012.
  • Winning artwork becomes the property of Jordan Winery for display at the chateau and/or donation to a charity auction to be determined.

 

SUBMISSIONS:

  • Applicants should submit ONE high-resolution image (jpeg) of artwork via email to 4on4LosAngeles@jordanwinery.com (maximum size: 10 MB).
  • In the body of your email, please include details including your first and last name, title of work, year, media and dimensions. Please also include your daytime phone number, your mailing address and your email address.
  • Please also include a brief statement (200 words) about your artwork and how it fits within the theme of the competition.
  • Minimum size of final entry: 18 x 24 inches
  • For additional publicity, entrants may also upload a copy of their submission to the 4on4 Art Competition Flickr page. For Flickr upload instructions, visit this site.

 

For a full prospectus and additional information, please visit the 4 on 4 Los Angeles project webpage.

 

 

SUNDAY only — Lita Albuquerque’s Spine of the Earth 2012

Call for participants!

Lita Albuquerque’s 1980 ephemeral art piece, Spine of the Earth, is to be recreated and performed in the hills above Culver City at the Baldwin Hills Scenic Overlook, and will offer a striking large-scale performance in the fissure of the landscape. Often visible from the I-10 and I-405 freeways, the Overlook has views from downtown to the ocean, setting the stage for a dramatic re-interpretation of Albuquerque’s original 1980 Mojave Desert earthwork Spine of the Earth.

For Spine of the Earth 2012 the pigment from the original piece will be represented by 500 performers. Be sure to arrive early so as not to miss the skydiver who will kick off the performance!

Please plan to arrive by 11:30 a.m. to allow time for parking.

The performance starts promptly at noon.

If you are interested in participating as a performer in this historic performance, please sign up here.

 

Organized by:

18th Street Arts Center

Artist’s website.

 

This large-scale outdoor project is in conjunction with 18th Street Arts Center and the Pacific Standard Time Performance and Public Art Festival.

Organized by Glenn Phillips of the Getty Research Institute and Lauri Firstenberg of LAXART.

 

History:
Spine of the Earth was originally created on El Mirage Dry Lake bed by Lita Albuquerque in the Mojave Desert of California, during the Fall of 1980. It was an ephemeral pigment-based Land Work incorporating a performance in which participants laid red, yellow and black pigment on the desert floor in a geometric pattern over six-hundred feet in diameter. Albuquerque used the Earth as an almost two-dimensional drawing surface. The final piece could only be seen in its entirety from an aerial view.

For Spine Of The Earth 2012, Albuquerque is re-imagining her seminal project from 1980 in an entirely new context. This large scale new work embodies a spectral line connecting the Earth’s core to the sky above. Albuquerque needs over 500 people to participate in this performance. So sign up, sign up a friend and join them!

All participants will be involved in a very simple walking based movement (choreographed by LA-based choreographers WIFE) and will receive a signed, limited-edition artifact of the performance.

Please note that participants should be in good physical shape as they will be walking down a very large and steep series of steps.

Spine of the Earth 2012

by Lita Albuquerque

 

When:

Sunday, January 22, 2012,

12:00–2:00 p.m.

 

Admission:

Free; no reservations required.

Free parking is available on Jefferson below the park. Additional free parking will be available in a lot at 3540 Hayden Avenue, Culver City 90232.

 

Location:

Baldwin Hills Scenic Overlook,

6300 Hetzler Rd., Culver City, CA 90232

 

Details:

Baldwin Hills Scenic Overlook website

 

 


 

 

Scott Short’s paintings at Christopher Grimes Gallery

Scott Short's works on display at Christopher Grimes Gallery

Christopher Grimes Gallery in Santa Monica is currently presenting an exhibition of new paintings by Scott Short. Expanding upon a precise and highly laborious art making technique, Short’s new works continue to investigate the dialectics of representation and the relationship between the mechanical and hand-made.

These elaborately rendered paintings begin with simple colored construction paper that the artist copies then re-copies numerous times on a black-and-white photocopying machine. The resulting image is photographed and projected onto a large primed canvas, where Short begins a meticulous rendering of the original using black oil paint. Randomness and acts-of-faith play a part in Short’s adherence to the copy machine’s unpredictable translations of patterns and abstract marks.

 

Short states that the exhibition’s title derives from Aristotle’s “Law of the Excluded Middle”, the principle “that for any proposition, either that proposition is true, or its negation is.” In addition, “The Excluded Middle becomes a “Truth” that is beyond our sight and expression, the recognition that the ambiguity lies in the “facts” themselves. While we may realize the fallacy of black and white thinking, the structures we have created remain inescapable, and for our everyday purposes, we are left to express the truth we conceive through the lies of our own making.”

 

Currently based in Vallauris, France, Scott Short received his MFA and BFA from Ohio State University. His work has been included in the 2010 Whitney Biennial and in group exhibitions entitled “Gerhard Richter and the Disappearance of the Image in Contemporary Art” at the Centro di Cultura Contemporanea Strozzina, Palazzo Strozzi, Florence, Italy and at the Gladstone Gallery, Brussels, Belgium. He also had a solo exhibition at The Rennaissance Society at The University of Chicago for which a catalog has recently been produced.

For more information about Scott Short, please click here.

 

Scott Short: The Excluded Middle

Christopher Grimes Gallery

916 Colorado Avenue

Santa Monica, CA

Exhibition dates:

January 14 – March 3, 2012

 

Hours:

Tuesdays – Saturdays 10am – 5:30pm

 

Gallery contact:

phone (310) 587 3373
fax (310) 587 3383