Archive for Music

Hunky Dory at King King, Hollywood

 

Two nights ONLY – Monday, Feb. 27 and Wednesday, Feb. 29, Mario Melendez presents Hunky Dory, the Rock Opera at King King Nighclub in Hollywood.  This energetic evening of entertainment brings the auditory vision of David Bowie’s 1971 concept album Hunky Dory – sides one & two – to life in a rockin’ presentation of one of this rock & pop legend’s many stage personifications.

Hunky Dory (the album) has been described by Allmusic’s Stephen Thomas Erlewine as “a kaleidoscopic array of pop styles, a sweeping cinematic mélange of high and low art, ambiguous sexuality, kitsch and class.”

King King Nightclub channels Bowie’s showmanship, camp and glamor to present this unique show. Comprised of stunning projections, rock vocals, mime and an interactive environment, Hunky Dory, the Rock Opera, takes you on a timeless journey through sound and space that is Hunky Dory, the album, sides 1 and side 2.

 

Hunky Dory, the Rock Opera

King King Nightclub

6555 Hollywood Blvd.,

Hollywood

Performances:

Monday, Feb. 27 and Wednesday, Feb. 29, 2012

Doors 8PM / Show 9PM

 

TICKETS:

General Admission:

standing room only – $20.00

VIP:

Best Seats In The House, with Cocktail Service – $40.00

SUPER VIP:

Private Table with Cocktail Service

Table for 4 – $200.00

Total limit is 10 tickets for all sections combined

 

Box Office:

Purchase tickets here or call (323) 960-5765

 

 

 

Overcoming the Disaster – Arigato From Japan concert

The Consulate-General of Japan in Los Angeles and the Japan Foundation present OVERCOMING THE DISASTER – ARIGATO from Japan - a concert of gratitude.

An evening of exceptional performances from Tohoku Folk Performance Group, Ondeko-za Taiko and musicians, as part of the WORLD TOUR KICK-OFF CONCERT in LA, is to be staged at 6:30pm, Friday, March 2, 2012 at the Ahmanson Theatre in the Music Center, in Downtown LA.

On March 11, 2011, the Great East Japan Earthquake and tsunami inspired shock and horror among all who saw the unbelievable footage of the disaster. But people all over the world sprung into action immediately, establishing emergency funds, sending relief supplies, and even going to Japan themselves to lend a hand wherever it was needed.

The gratitude of the Japanese people for these acts of kindness is immense. With this concert tour, featuring some of Japan’s top performers in several musical genres, the people of Japan hope to be able to express some of their appreciation for the care and assistance of so many people around the globe, to show that the nation is recovering, and that the affected region is rediscovering joy after so much destruction.

The tour will take the performers to Los Angeles, New York, Paris, Beijing, Shanghai, Chongchin, Guangzhou, and Hong Kong and features some of the best musical artists from the region most greatly impacted by the disaster.

Performers include Ondekoza, Japan’s master players of the taiko, which are enormous drums. Playing them is as much dance as it is drumming, and the bone-rattling sounds produced must be heard live to truly experience. Also on hand will be a Bamboo Orchestra performing with traditional Japanese instruments. The day before the concert, they will offer a workshop to teach children how to make their own traditional Japanese instruments out of bamboo. The Kazutoki Umezu Orchestra, with sax, percussion, horn, and synthesizer, represents the best of Japan’s more contemporary music. The Ochi Brothers will be performing percussion, and Sizzle Ohtaka will be providing vocals. A folk performing arts troupe will also be on hand to show the audience the beauty of eastern Japan’s traditional musical arts.

OVERCOMING THE DISASTER – ARIGATO from Japan

 

WHEN & WHERE:

Friday, March 2, 2012

6:30pm

 

Ahmanson Theatre at the Music Center

135 North Grand Ave.

Los Angeles, CA 90012

Downtown Los Angeles

Tel: (213) 972.7211

WHO:

Tohoku Folk Performance Group

Wakumizu Kagura

Taiko

・  Ondekoza (Japanese taiko drums)

Musicians

・  Bamboo Orchestra (musical instruments made from bamboo)

・  Kazutoki Umezu Orchestra (saxophones, trombone and tuba)

・  Ochi Brothers (percussion)

・  Sizzle Ohtaka (vocal)

・  Several other musicians TBA

 

TICKETS:

Admission Free!    ***RSVP is required***  1600 seats

Free Tickets available here.

Group Tickets available here.

(10—30 tickets)

Individual Tickets available here.

(1—5 tickets)

 

More information can be found at the official site.

 

 

Smokin’ hot and jazzy — Chantz Powell in performance

Currently tearing up the tap-dance floor, late night on Saturdays in Vitello’s downstairs back bar in Studio City, is a triple-threat phenomenon named Chantz Powell. Immaculately bedecked in a three-piece suit, topped with a stylish fedora, Chantz sings, croons, scats, dances and blasts his trumpet like there’s no tomorrow. If you don’t keep your eyes glued to this magnetic performer you just might miss him execute a lightning double back flip finishing with the splits as he then glides back up to the microphone.

This kid has talent and energy to burn as he effortlessly zips through numerous jazz standards, sprinkled with a few of his original songs, in the course of an almost 90 minute late night set. Wow!

With a voice like silky hot chocolate, and backed by two superb musicians –  Julian Le on keyboards and Raymond Roosevelt on jazz drums — Chantz gives killer renditions of Fever, Moondance, I Feel Good, Do Your Thing, What a Wonderful World (to name a few of the tunes) – starting off slowly then increasing to a breakneck pace of pure joy as the music flows in, through and around him. He sings like a dream, tap dances like a pro and plays the trumpet both loud and sensitively as if he’s been doing it his entire life, which, in fact, is the case. (Well, he also studied Business Economics at UCLA.)

Now in his early twenties, the New Orleans-born, LA-raised artist has been playing trumpet since he was seven.

 

When Chantz was about six years old, his mother Glinda (“Gee-Gee”) took him to see the Spike Lee movie, Mo’ Better Blues, which was about the dramatic life of a trumpet player, and from that moment on, he started begging for a horn.

He has said, “I can’t remember asking for the horn or getting it, it’s always been there, part of me. I don’t know which is my favorite thing – singing, tap dancing or trumpet playing – that’s why I do all three. But I know when I feel low I grab my horn and start to play.”

 

 

It’s hot, it’s jazzy, it’s late nights on Saturdays – only a few performances remaining this month.  And best of all, it’s FREE!  So get yourself down to Vitello’s next Saturday night for a performance you won’t soon forget!

To learn more about this dynamic entertainer, visit his myspace site or go here.

 

Chantz Powell

‘Late Nite Downstairs’ at Vitello’s Jazz and Supper Club
4349 Tujunga Ave
Studio City CA 91604

Saturday evenings at 10 pm-midnight throughout February, 2012.

This is a FREE event!
NO COVER

Just go and have a ball!!

 

 

 

Pasadena Young Musicians Orchestra to present an “American Musical Salute”

A patriotic concert for a patriotic season – the Pasadena Young Musicians Orchestra presents American Musical Salute on Sunday, February 26, 2012 at 3:30 p.m. at Sexson Auditorium on the campus of Pasadena City College (PCC) in Pasadena… but the soloist could use a new flute! PYMO’s Principle Flutist Luis Alvarado appears as guest soloist.

Fans of the Pasadena Young Musicians Orchestra (PYMO) are nothing if not well traveled musically. The 2011-12 season opened last November, for instance, with The French Connection, a program of music composed by French musicians or inspired by France. But for its second concert, PYMO has opted to stay a bit closer to home by presenting an American Musical Salute.

To focus on music by American composers seems only fitting, since this time of year is when we celebrate holidays like Martin Luther King Day and Presidents Day,” says Music Director Jo Raquel Stoup. “Best of all, the pieces are so very exciting – both for the musicians to learn and play and for the audience to hear. They’re extraordinarily lovely, too – masterpieces that have more than earned their prominent place in American literature.”

The program for  “American Musical Salute” includes Billy the Kid and ‘Variations on a Shaker Tune’ from Appalachian Spring by Aaron Copland; Samuel Barber’s Second Essay; and American Salute by Morton Gould. 

PYMO will also perform Poem for Flute and Orchestra by Charles Griffes, featuring PYMO’s Principle Flautist Luis Alvarado.

Billy the Kid is one of Copland’s most popular compositions,” explains Stoup who, as a young professional flautist, performed under the composer. “I personally love how it incorporates many cowboy tunes and American folk songs.”

Barber’s Second Essay, meanwhile, is a difficult work that Stoup has long yearned for the orchestra to perform. “It became apparent very early this year that, at last, the time had arrived. PYMO was more than ready for the challenge. We really pull it off,” Stoup reveals with a smile.

Audiences will no doubt recognize sections of Gould’s American Salute. Based on the song ‘When Johnny Comes Marching Home Again,’ American Salute includes in its history one bittersweet chapter. Morten Gould actually heard the piece on the last evening of his life – appropriately enough, at a performance of the United States Military Academy Concert Band.

Stoup, a renowned soloist who has worked with musicians from Henry Mancini to Luciano Pavarotti, describes Griffes’ Poem for Flute and Orchestra as “one of the most beautiful flute solos in the classical repertoire.”

Griffes is the most acclaimed American representative of musical Impressionism,” Stoup continues. “The striking and enigmatic new sound created by French Impressionist composers fascinated and inspired him.”

Stoup has high praise as well for the young musician who will interpret Griffes’ work – flautist Luis Alvarado, a student at PCC. “Luis is very dedicated, very musical,” says Stoup, who currently not only mentors Alvarado but is leading efforts to secure funding that will enable the financially strapped music major to purchase a more professional, higher quality instrument.

“The sound Luis creates from what is basically a student flute amazes me,” Stoup reflects. “But, oh the music he could make on an instrument more equal to his talent!”

 

American Musical Salute

Pasadena Young Musicians Orchestra

Sexson Auditorium,

on the campus of Pasadena City College (PCC)

1570 East Colorado Blvd.,

Pasadena CA

Parking available at any PCC student lot for $2.

Performance:

Sunday, February 26, 2012 at 3:30 p.m.

Tickets:

Suggested donation price of $7.00 for adults

$5.00 for students and seniors.

Booking and info:

For more information about PYMO or its upcoming performances, call (626) 403-1086 or visit the orchestra’s website.

 

 

About Pasadena Young Musicians Orchestra:

The Pasadena Young Musicians Orchestra (PYMO) celebrates over 50 years of performances. The institution has provided musical training for gifted young instrumentalists of high school and junior college age. Orchestra members represent 32 different schools, and come from diverse economic and ethnic backgrounds. They all come together to work towards one common goal: to learn how to play in a symphony orchestra.

PYMO rehearses and performs at Pasadena City College, where conductor, Jo Raquel Stoup, is a faculty member, conducting orchestra and chamber groups. PYMO has performed twice in Hawaii and has also played at the Music Educators’ Convention. The Wilshire Ebell theatre in Los Angeles has hosted them, as well as, Cal Poly San Luis Obispo.  

All members must belong to a performance group at their school, making PYMO an extension of their school music program. PYMO rehearses once a week and performs three different concerts each year in addition to its music tour.

PYMO is operated by the PYMO Association, a non-profit organization dependent on a network of volunteers and donors, including parents, friends, and area businesses. PYMO is particularly grateful for the many benefits derived from its’ close association with Pasadena City College, the Pasadena Symphony Association, and the many high schools in the area.

 

Luis Alvarado, flute

Born in Whittier, CA and raised in the city of Rosemead; Luis has always had a passion for music. He attended and graduated from San Gabriel High School where he started playing the flute his freshman year in which he learned the fundamentals of music. He was a member of the Matador Marching Band, Matador Symphonic Band both under the direction of Tamara Cognetta and the Tri-City Orchestra under the direction of Curtis Richardson. Upon graduating he continued his music education at Pasadena City College under the instruction of Jamie Pedrini, principal flutist of the California Philharmonic. In 2008 he had the priviledge of performing with the Cal Phil as a featured performer. In 2009 he began taking lessons from professional flutist Jo Raquel Stoup, where he continues to learn and be inspired. He has been the recipient of numerous school recitals and scholarships. Finishing up his last semester at PCC, Luis hopes to transfer into the music program at California State University Long Beach to work on his Bachelors degree.

 

Conductor and Music Director – Jo Raquel Stoup

Jo Raquel Stoup, conductor and music director of PYMO, earned her Masters of Music degree in flute performance from Temple University in Philadelphia. As a performer, Ms. Stoup has premiered works by Howard Hansen, worked under the baton of Aaron Copland, performed with Maurice Abravanel and the Utah Symphony, soloed with Henry Mancini and performed with Luciano Pavarotti. She was a founding member of the Festival Chamber Players, and performed frequently with the Philadelphia Concerto Soloists and the Philadelphia Lyric Opera Company.

Devoted to music education, Ms Stoup has taught throughout the United States and at every grade level in the Pasadena School District. At John Muir High School, she developed a highly successful and respected music magnet program and received the Gold Crown Award for Arts Education and the Teacher of Excellence Award.


Ms. Stoup recently retired from her position as a full-time music faculty member at Pasadena City College, where she instructed music majors and directed the Orchestra. She continues to perform flute recitals and has appeared regularly as a Faculty Artist at the college. In addition, she is often called upon to clinic ensembles and conduct music festivals throughout the Southwestern United States.

 

 

An intimate experience — Le Salon de Musiques

Steven Vanhauwaert - photo credit - Carole Sternicha

For its fifth intimate concert of the second season, Le Salon de Musiques program will feature Poulenc Flute Sonata with piano and Arnold Bax Elegiac Trio for Flute, Harp and Viola and Faure Piano Quartet N.1 in C Minor Opus 15 with Steven Vanhauwaert on Piano, Marcia Dickstein on Harp, Pamela Vliek on Flute, Tereza Stanislav on Violin, Victoria Miskolczy on Viola and John Walz on Cello.

This month’s concert will be held on February 26, 2012 at 4:00 pm at the Dorothy Chandler Pavilion, Fifth Floor.

The performance is accompanied by Champagne, food by Patina and informal conversation introduced by musicologist Julius Reder Carlson. Tickets are $65.00 and $45.00 for students (including concert and refreshments) and are available on line at their official site or by calling  (310) 498-0257.

All concerts presented by Le Salon de Musiques are held from 4 – 6 pm one Sunday of every month through May 20, 2012.  Composers for this season range from Brahms, Mozart, Schubert and Schumann to Tchaikovsky, Grieg, Bax, Myaskovsky and Arensky. Highlights of the season include a Baroque program with a pantomime for two dancers with music by Rameau, Duphly, Gluck, Grety and Lully. Award winning Cellist, Antonio Lysy and Cellist John Walz, Violinists Phillip Levy, Tereza Stanislav and Julie Gigante, Violist Robert Brophy, Soprano Elissa Johnston, Pianists Steven Vanhauwaert and Rina Dokshitsky, are a part of this exciting second Season.
Created by French pianist/melodist Francois Chouchan, the salon series was inspired by Marie Antoinette during 1780 when the Salon de Musique was erected at the Petit Trianon Domain within the vast gardens of the Chateau de Versailles. Chouchan has once again invited some of the most prestigious internationally renowned artists to join in this series, many of whom have performed with the LA Philharmonic, Los Angeles Opera, Los Angeles Chamber Orchestra and Capitol Ensemble.

By removing the stage, Le Salon de Musiques offers a more personal touch to listeners eager to familiarize themselves with Chamber Music. The goal is to bring together an audience of disparate backgrounds…music lovers who believe that this form of melodic artistry brings out the best in humanity.

 

Marcia Dickstein - photo credit - Henry Lim

Le Salon de Musiques

February 26, 2012 at 4:00 pm

Poulenc Flute Sonata with piano and Arnold Bax Elegiac Trio for Flute, Harp and Viola and Faure Piano Quartet N.1 in C Minor Opus 15 with Steven Vanhauwaert on Piano, Marcia Dickstein on Harp, Pamela Vliek on Flute, Tereza Stanislav on Violin, Victoria Miskolczy on Viola and John Walz on Cello.

Where:             Dorothy Chandler Pavilion – Fifth Floor

135 North Grand Avenue

Los Angeles, CA 90012

Tickets:       $65.00

$45.00 Students

There is a 10% discount if tickets are purchased for three or more concerts

And a 20% discount for a full season subscription

 

Contact:             (310) 498-0257 or visit their official site.

 

 

 

ABOUT THE MUSICIANS:

Producer and French pianist/melodist François Chouchan: From the Conservatoire National Supérieur de Musique de Paris (instructed by Yvonne Loriod-Messiaen and Germaine Mounier) to the Viotti International Piano Competition in Italy, his outstanding talent has been recognized all over Europe. Not only has Chouchan performed as a soloist with orchestras and Chamber Music groups in many countries, but he has also been invited to play during Master Classes by musical icons such as Mstislav Rostropovich, Nikita Magaloff, Gyorgy Sebok and Magda Tagliaferro. In Los Angeles, where Chouchan has resided since 2007, he has performed at the LACMA Museum for the “Sundays Live Series”, at UCLA’s Schoenberg Hall, at Cal State Long Beach and Cal State Northridge (with the Music Guild). He has also appeared at the First Presbyterian Church in Santa Monica, Zipper Hall, the Brandeis Institute, and for the Ermitage Foundation.

In 2010 Chouchan formed Angeles Concerts Artists Corporation and is produced Le Salon de Musiques, his first series of music concerts. For more information on Le Salon de Musiques you can go to the official site.

Steven Vanhauwaert – Piano

Praised by the Los Angeles Times for his “impressive clarity, sense of structure and monster technique”, Steven Vanhauwaert studied piano in Brussels at the Royal Conservatory, and continued his musical development in Los Angeles at the USC Thornton School of Music.

Over the years, Steven has garnered a wide array of accolades and has toured throughout Europe and the US, both solo as in chamber music groups. He has appeared in major venues with orchestras such as the Pacific Symphony, the Flemish Symphony, the Concord Jazz Ensemble, the Eastern Sierra Chamber Orchestra and Prima la Musica, amongst others. In 2010 he is scheduled to make his China solo debut.

As a member of the Felici Piano Trio, Steven has given recitals and masterclasses all over the US, has been a frequent guest in festivals around the world, and has appeared in all the major concert halls of Europe. Steven’s performances are regularly broadcast on K-MZT, K-CSN, K-USC, WHKB, W-UOT, K-UAT and KLARA.”

Marcia Dickstein – Harpist

Dickstein is attracting new audiences to the harp in chamber music and solo with orchestra. To date she has inspired composers from classical, film and jazz/fusion genres worldwide to write over 100 new works. As Founder/Artistic Director of The Debussy Trio she has performed throughout the United States, Europe and Japan, over NPR radio and on commercial and public TV. Important concerts include appearances in Copenhagen, Prague, Geneva (Switzerland), San Francisco, Kennedy Center (Washington, DC) and solo with orchestras in Louisville, Glendale and Seattle. Recordings are available at www.fatrockink.com and on the Klavier, First Edition, Harmonia Mundi, Koch and RCM labels.

Ms. Dickstein’s has played on over 350 film scores such as Toy Story I-III, Matrix I-III, Alice in Wonderland, Royal Tennenbaums, Minority Report, Memoirs of a Geisha, Horton Hears a Who, Indiana Jones 4; CD solos with Roger Wagner & William Hall Chorales; CDs Chamber Music of Arnold Bax and The Debussy Trio’s 3 Friends, a “best pick” by Gramophone Magazine of London. Adjunct Professor of Harp at Cal State University/Long Beach, Cal Poly San Luis Obispo and Westmont College (Santa Barbara), Ms. Dickstein is also Teacher/Artistic Director of the Central Coast (CA) Harp Workshop. She holds Master Classes throughout the USA and maintains a private studio in Los Angeles. Her transcriptions and scholarly editions of solo and chamber music for professional and student level harpists are published by Fatrock Ink of Los Angeles.
Pamela Vliek Martchev – Flute

Martchev was born in Merrick, NY, and received her initial musical education in the public school system of Long Island. From age 13 on she went to Manhattan School of Music for the Pre-College Division and then her Bachelor of Music Degree. Her teachers included Harold Jones, Kathleen Nester, and Linda Chesis

During her time in NY she won prizes in many competitions, was a featured artist on WQXR’s Young Artist Showcase, and played at many venues such as Carnegie Hall, the United Nations, and the White House for President Clinton. After her schooling she went on to perform extensively in Europe as 2nd flute of Philharmonie der Nationen under conductor Justus Frantz.

Since moving to CA in 2000, Ms. Martchev has played with the Riverside, Redlands, Pasadena, San Diego Chamber, San Diego Symphony, and the Los Angeles Philharmonic. She has played under such conductors as Esa-Pekka Salonen, Edo de Waart, Charles Dutoit, John Williams, Marin Alsop, Bramwell Tovey, Leonard Slatkin, Rafael Frühbeck de Burgos, and Gustavo Dudamel. She is the resident flutist on the Jacaranda Music Series in Santa Monica, and has also been the principal flute of the Boulder Philharmonic in CO since 2002. Pamela can be seen in the movie “The Soloist,” and can be heard on multiple movie scores including An Unfinished Life, Spiderman 3, Sleepover, When In Rome, Dear John, and Bedtime Stories. She is featured on Billy Child’s 2006 Grammy winning CD “Lyric,” and can also be heard on his latest release: “Autumn: In Moving Pictures.” She is currently the flute teacher at Riverside Community College and San Diego State University, and is married to bassoonist Valentin Martchev.

Tereza Stanislav – Violin

Los Angeles Chamber Orchestra, James Matheson’s Violin Sonata (2007), Bruce Adolphe’s Oceanophony (2003), Gernot Wolfgang’s Rolling Hills and Jagged Ridges (2009) and the West Coast premieres of Steve Reich’s Daniel Variations and Gernot Wolfgang’s Jazz and Cocktails. She is featured on a new recording of the Wolfgang on Albany Records and the Reich on Nonesuch label.

Tereza holds a Bachelor of Music from Indiana University where she studied with Miriam Fried, and a Master of Music from the Juilliard School where her teachers were Robert Mann and Felix Galimir. As Concertmaster of the Festival Lyrique d’Aix-en-Provence in 1999, she received intensive orchestral and chamber music coaching from the late Isaac Stern. Tereza also completed quartet residencies at the Britten-Pears School in Aldeburgh, England, at Northern Illinois University under the tutelage of the Vermeer Quartet and at Rice University.

Tereza enjoys participating in educational outreach and has collaborated with educator Robert Kapilow of NPR’s program, “What Makes It Great?” and musicologist Robert Winter of UCLA. Tereza was invited to perform at the 2002 G-8 World Summit held in Kananaskis, Canada where she performed for Presidents Jacques Chirac and George W. Bush, and Canadian Prime Minister, Jean Chretien. In 2000, Tereza was awarded the highest grant from the Canada
Council for the Arts in the category for Professional Musicians (Individuals) in Classical Music. She is active in the film scoring industry in Los Angeles and in 2009, co-created the new music series, In Frequency.

Alto Violist Victoria Miskolczy: Australian born Victoria Miskolczy has been Associate Principal Violist of the Los Angeles Chamber Orchestra since 1989. She has also performed in many festivals such as the Ojai Festival, the Oregon Bach Festival, the Mostly Mozart Festival and at the Hollywood Bowl, Sydney Symphony, Pacific Symphony, Pasadena Symphony and Long Beach Orchestras.

Victoria has been a member of the Capitol Ensemble, amongst her many local chamber music credits, and also performs for the Los Angeles Chamber Orchestra’s Conversations Series and Musicales. In addition she has performed solo recitals to acclaim throughout Australia, the United States and Canada. Victoria is also a commercial musician and has played on hundreds of motion picture sound track scores for composers such as John Williams, James Horner and Jerry Goldsmith and on recordings with such popular artists as Barbra Streisand, Madonna and Michael Jackson.  Victoria is a part-time faculty member at the University of Southern California.
John Walz – Cello

John Walz is a celebrated soloist and chamber music artist, known for his dazzling virtuosity and elegant musicianship. A student of the legendary French cellist, Pierre Fournier, he has appeared as soloist with more than 150 symphony orchestras on 4 continents. His performances of 25 different concertos include both standard showcases and rarities like Martinu’s Concerto #1 and William Schuman’s Song of Orfeus. In 1979, John, along with pianist Edith Orloff, founded the Pacific Trio. Now performing with violinist Roger Wilkie, this renowned ensemble has played more than 900 concerts throughout North America and Europe. In addition to his solo and chamber music duties, he is currently the principal cellist with the Los Angeles Opera, a position he previously held for 20 years with the Long Beach Symphony. John is on the faculty of the Idyllwild Arts summer program and Academy.

 

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