ArtsBeatLA

Boston Court Pasadena presents “Pericles”

If having someone change the language, plot, themes, settings and characters of a play is seen as a tribute or homage or compliment, Shakespeare must be the most complimented playwright on the planet. He must...

Olivia Wilde’s The Invite: “You Don’t Know What the Movie Is Until They Tell You”

  Olivia Wilde’s The Invite: “You Don’t Know What the Movie Is Until They Tell You” There is something appropriately unruly about the way The Invite came together. Olivia Wilde’s cringey comedy, starring...

They’re back! “Attack of the Killer Tomatoes: Organic Intelligence” reviewed

  A new installment of the beloved schlocky Killer Tomatoes franchise is back with a fifth feature film, Attack of the Killer Tomatoes: Organic Intelligence. Both gruesome and delicious, the madcap...

Sierra Madre Playhouse presents spellbinding program of Kathak – Northern Indian “Storytelling” Dance Form

        Experience an extraordinary afternoon of movement, music, and storytelling when acclaimed Indian classical dancer and choreographer Rukhmani Mehta takes the stage at Sierra Madre...

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Proof

  Every now and then someone will ask you to review a play that will be closed by the time the review posts. There are all sorts of reasons for that, some better than others. The best reason I’ve had yet to do so...

Echo presents “F**king Strangers”

Normally with a play title such as this, I’d remove the asterisks, but F**king Strangers is how it appears in the press release and on the program, so I’m assuming that the official title includes the asterisks. It...

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“Mexodus” now at Pasadena Playhouse

When I first read about the premise of the musical Mexodus, which was the statement that there was a lesser-known Underground Railroad that freed four to ten thousand enslaved people by getting them to Mexico between...

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