Philip Seymour Hoffman delivers yet another consummate performance in A Late Quartet, a flawed film by first time feature director, Yaron Zilberman. Hoffman and Imogen Poots, riveting at times as his free-spirited...
Within the enormous soundstage is a vast icy wasteland. A large snow vehicle is overturned and a submarine’s conning tower, sporting the red and white Umbrella Corporation symbol, has breached the ice floes. The air is...
As the first group exhibition introducing the wide-ranging work of South Korean political art to an American audience, Being Political Popular: South Korean Art at the Intersection of Popular Culture and Democracy, 1980...
When I first heard about Paul Thomas Anderson’s new film – word was that it was about a Scientology-type leader and a drifter who becomes attached to him – I assumed Anderson’s focus would be on cult and power...
The “world’s largest short film festival” – Tropfest – is heading for The Cosmopolitan of Las Vegas, June 1-3, 2012. Twenty years ago, in Sydney Australia, a young actor-turned director named John Polson started a...